A work in constant progress (and occasional regress).
Release Date:
September 2, 2011
Original Title:
Seven Days in Utopia
Genres:
Drama
Production Companies:
Prospect Park
Utopia Pictures
Production Countries:
United States of America
Ratings / Certifications:
BR: 14 NL: 6 US: G
Runtime: 98
Talent can only get you so far. For golfer Luke Chisholm, that turns out to be Utopia, Texas -- where he's left stranded after blowing his pro debut.
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Art Direction:
Helen Harwell
Associate Producer:
Lindsay Hovel
Mick Partridge
W. Michael Jenson
Ele Bardha
Casting:
Lindsay Graham Ahanonu
Mary Vernieu
Co-Producer:
Susan Kirr
Kwesi Collisson
Costume Design:
Molly Maginnis
Amy Maner
Director:
Matt Russell
Director of Photography:
M. David Mullen
Editor:
Robert Komatsu
Executive Music Producer:
Lindsay Fellows
Executive Producer:
David L. Cook
Jess Stainbrook
Joseph Coors, Jr.
Ray C. Davis
Robert A. Innamorati
Rick Jackson
Phil Myers
Ken Herfurth
Lucas Black
Mary Vernieu
Rob Carliner
Lou Waters
Hair Department Head:
Terri Ewton
Hairstylist:
Leola Perez
Line Producer:
Susan Kirr
Makeup Artist:
Jacenda Burkett
Kim Collea
Makeup Department Head:
Ken Diaz
Music:
Klaus Badelt
Christopher Carmichael
Music Supervisor:
April Kimble
Novel:
David L. Cook
Producer:
Mark G. Mathis
Jason Michael Berman
Production Design:
Clark Hunter
Production Manager:
Joe McDougall
Property Master:
Jason Hammond
Screenplay:
David L. Cook
Robert Levine
Matt Russell
Sandra Thrift
Script Supervisor:
K. Lynn Martin
Set Costumer:
Michelle Elaine Teague
Set Decoration:
Amy Bell
Still Photographer:
Van Redin
Stunt Coordinator:
Ele Bardha
Stunt Double:
Bevin Kaye
Visual Effects Supervisor:
George Loucas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.