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La rivincita (2020) [N/A]

Release Date:
June 4, 2020

Original Title:
La rivincita

Genres:
Comedy

Production Companies:
Altre Storie
RAI Cinema

Production Countries:
Italy

Ratings / Certifications:
 N/A

Runtime: 84

Overview from TheMovieDB

In a time of financial precariousness and descent into poverty, two brothers in Apulia lose everything they own.

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Additional information:

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Performers

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Production

Assistant Camera:
Alessandro Salzillo

Boom Operator:
Marco Benatti
Stefano Varini

Costume Design:
Magda Accolti Gil

Delegated Producer:
Francesca Schirru

Director:
Leo Muscato

Director of Photography:
Giorgio Giannoccaro

Editor:
Mauro Ruvolo

First Assistant Director:
Dario di Viesto

Gaffer:
Nicola Saponaro

Hair Department Head:
Graziano Caliandro

Key Grip:
Giuseppe Fanelli

Line Producer:
Salvatore Caracuta

Location Manager:
Nicola Masciullo

Makeup Department Head:
Jenny Zuccaro

Novel:
Michele Santeramo

Producer:
Cesare Fragnelli

Production Coordinator:
Barbara Serio

Production Design:
Fabiana Rizzi

Production Manager:
Mario Sangiovanni

Screenplay:
Michele Santeramo
Leo Muscato

Script Supervisor:
Valentina Scuro

Second Assistant Director:
Maria Bulzacchelli

Sound:
Piero Parisi

Sound Mixer:
Carlo Fanfoni

Story:
Leo Muscato
Michele Santeramo

Unit Manager:
Nicola Masciullo

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.