A work in constant progress (and occasional regress).
Featuring:
Chad Shank, Doug Stanhope
Written by:
Doug Stanhope
Directed by:
Brian Hennigan
Release Date:
May 21, 2020
Original Title:
Doug Stanhope: The Dying of a Last Breed
Genres:
Comedy
Production Companies:
Shake The Baby
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 82
Filmed Memorial Day weekend in 2019 at the Plaza Hotel in Las Vegas (the city where he first performed stand-up comedy) Doug Stanhope goes through a dark wealth of material, uniting topics as disparate as child fatalities, hotel chain misery, and all the things you can do in Indiana.
Often I would find great specials like this one in the most obscure places, not getting the attention they deserve, yet the most garbage-but-convenient people get Netflix specials left and right these days.I don't think Doug has a bad special, this one (at least the first half) was really funny and I mean well above the definition of "funny" Netflix has. The second half was kind of a drag, but it ended with a beautiful little story that almost teared me up a bit, so it was pretty rewarding too.Doug Stanhope is one of those comedians people need to know about, just like Patrice O'Neal, Lisa Lampanelli and so many other great ones that have strong followings, but not as big as they deserve. I guess it just pisses me off how many lame, bad comedians can get a special on a major platform, yet this here comedic superhero only has one on Netflix - where most people are looking at.In any case, very worth watching.
Camera Operator:
Nick Byer
Mike Thompson
G. Scott Thompson
Colorist:
Jerry Thompson
Director:
Brian Hennigan
Director of Photography:
Jerry Thompson
Editor:
Robert Shupe
Producer:
Doug Stanhope
Brian Hennigan
Joe Rogan
Screenplay:
Doug Stanhope
Sound Post Production Coordinator:
Steven Cahill
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.