A work in constant progress (and occasional regress).
Featuring:
Marek Brodský, Frantisek Rehák, Pavel Pípal
Written by:
Jirí Just
Vladimír Drha
Directed by:
Vladimír Drha
Release Date:
April 9, 1981
Original Title:
Dneska přišel nový kluk
Alternate Titles:
Kluk ještě do zelena
Genres:
Comedy
Production Companies:
Filmové studio Gottwaldov
Production Countries:
Czechoslovakia
Ratings / Certifications:
N/A
Runtime: 94
In his feature debut, Dneska přišel nový kluk (A New Boy Started Today) from 1981, the director Vladimír Drha set the tone for a number of Czech films, which critically depicted the state of society from the perspective of young protagonists. Although, Drha primarily found scope for his work in television, he returned to the world of a “working youth” in his second film Mezek (The Mulish Victor, 1985) – albeit following him from the point of view of an educator. NFA.CZ
Assistant Camera:
Josef Ryšánek
Petr Hlisnikovský
Assistant Director:
Marta Svobodová
Assistant Editor:
Alice Egnerová
Ludmila Varmužová
Camera Operator:
Vladimír Kolář
Conductor:
Mario Klemens
Costume Design:
Taťána Havlíčková
Costumer:
Anna Kollerová
Štefan Koller
Director:
Vladimír Drha
Director of Photography:
Juraj Fándli
Dramaturgy:
Miroslav Zůna
Josef Vaculík
Editor:
Ivan Matouš
First Assistant Director:
Vladimír Prager
Makeup & Hair:
Helena Vávrová
Original Music Composer:
Pavel Skála
Production Design:
Zdeněk Rozkopal
Production Manager:
Vojtěch Kunčík
Radio Play:
Jiří Just
Screenplay:
Jiří Just
Vladimír Drha
Script:
Taťána Havlíčková
Set Decoration:
Ivo Formánek
Josef Šťovíček
Sound:
Josef Javořík
Sound Assistant:
Zdeněk Bobek
Still Photographer:
Otto Kamenský
Unit Production Manager:
Jarmila Bartoníková
Lenka Vlčková
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.