A work in constant progress (and occasional regress).
Release Date:
March 2, 1979
Original Title:
Panna a netvor
Alternate Titles:
A Bela e a Fera
Beauty and the Beast
Die Jungfrau und das Ungeheuer
Die Schöne und das Ungeheuer
Giulia e il mostro
Kráska a zvíře
La bella y la bestia
La belle et la bête
La virgen y el monstruo
Piekna i potwór
The Virgin and the Monster
Красавица и чудовище
Красуня і Чудовисько
Genres:
Drama | Fantasy | Horror
Production Companies:
Filmové studio Barrandov
Production Countries:
Czechoslovakia
Ratings / Certifications:
DE: 12
Runtime: 91
Julie, the youngest daughter of a bankrupt merchant, sacrifices her life in order to save her father. She goes to an enchanted castle in the woods and meets Netvor, a bird-like monster. As Netvor begins to fall in love with Julie, he must suppress his beastly urge to kill her.
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Art Direction:
Josef Vyleťal
Olga Vyleťalová
Assistant Camera:
Vojtěch Kuthan
Assistant Director:
Kateřina Lukášová
Assistant Editor:
Anna Mejtská
Assistant Production Design:
Michael Poledník
Camera Operator:
Viktor Růžička
Clapper Loader:
Eliška Moulisová
Conductor:
František Belfín
Costume Design:
Irena Greifová
Costumer:
Helena Vondrušková
Aša Teršová
Zdeňka Čochnařová
Lubomír Votoček
Creative Producer:
Ota Hofman
Director:
Juraj Herz
Director of Photography:
Jiří Macháně
Dramaturgy:
Marcela Pittermannová
Editor:
Jaromír Janáček
First Assistant Director:
Zeno Dostál
Makeup & Hair:
Jiří Hurych
Jiřina Bissingerová
Tomáš Kuchta
Original Music Composer:
Petr Hapka
Production Design:
Vladimír Labský
Production Manager:
Karel Kochman
Screenplay:
Ota Hofman
Juraj Herz
Script:
Pavla Marková
Set Decoration:
Miroslav Buberle
Karel Karas
Jaroslav Lehman
Ladislav Rada
Josef Pavlík
Sound:
František Černý
Still Photographer:
Karel Ješátko
Story:
Ota Hofman
Stunts:
Petr Drozda
Karel Engel
Jiří Fajt
Josef Hrubý
Miroslav Jíra
Jiří Klenot
Ladislav Lahoda
Jindřich Sejk
Jaroslav Šanda
Theatre Play:
František Hrubín
Title Designer:
Josef Vyleťal
Olga Vyleťalová
Unit Production Manager:
Věra Lukášová
Petr Prejda
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.