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Lying to Be Perfect (2010) [N/A]

Release Date:
June 7, 2010

Original Title:
Lying to Be Perfect

Alternate Titles:
Cenicienta por un día
Cinderella Pact
El pacto de Cenicienta
L'amour XXL
Lying to Be Perfect
O Pacto da Cinderela

Genres:
Comedy | TV Movie

Production Companies:
Front Street Pictures
Lifetime

Production Countries:
Canada | United States of America

Ratings / Certifications:
 N/A

Runtime: 89

Overview from TheMovieDB

Nola Devlin is an unassuming, frumpy magazine editor who is overlooked and teased by her coworkers. Though, when she is behind the glow and anonymity of her computer screen, she becomes the famous advice columnist Belinda Apple. Nola’s friends, tired of being overworked and overweight, band together to create the Cinderella Pact, vowing to lose pounds by following the advice of Belinda Apple. When her secret identity is threatened, Nola is forced to take her own alter ego’s advice. But, as the group of friends drops dress sizes, their real issues are exposed, and better-than-expected life changes begin to blossom.

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Trailer

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Performers

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Production

ADR Mixer:
Gordon Sproule

Accountant:
Marnie Termuende

Art Direction:
Eija Johnson

Assistant Accountant:
Susan Eyre

Assistant Costume Designer:
Paulette Nelson

Assistant Editor:
Juan Carlos Arreaga

Assistant Hairstylist:
Paula Demille

Assistant Location Manager:
Bob McQuarrie
John Knowlton

Assistant Makeup Artist:
Amy St. Jean-Anzinger
Rebekah Bak

Assistant Music Supervisor:
Katy Horsley

Assistant Production Coordinator:
Merewyn Wagner
Christopher Strand

Assistant Property Master:
Rob Lavigueur

Assistant Set Decoration:
Jen Swanston

Author:
Sarah Strohmeyer

Best Boy Electric:
Damon J. Evans

Best Boy Grip:
Chad Ferguson

Boom Operator:
Paul Novokshonoff

Camera Loader:
Andrew Vidinha

Camera Operator:
Glenn Pineau

Casting:
Candice Elzinga

Casting Associate:
Martina Smyth

Color Timer:
Claudio Sepulveda

Construction Coordinator:
Matt Eaton

Costume Design:
Trish Flynn

Costume Set Supervisor:
Jennifer K. Sharpe

Craft Service:
Mike Sandyke

Creative Producer:
Gary Harvey

Dialogue Editor:
Gord Hillier

Director:
Gary Harvey

Director of Photography:
Mathias Herndl

Dolly Grip:
David Kershaw

Editor:
Richard Schwadel

Executive Producer:
Barbara Lieberman

Extras Casting:
Sandra Couldwell

First Assistant "A" Camera:
Mark Evans

First Assistant "B" Camera:
Pat Cronin

First Assistant Director:
Robert Lee

Foley:
Elaine Stef

Foley Editor:
Dean Giammarco

Foley Mixer:
Gordon Sproule

Gaffer:
Jesse Keay

Generator Operator:
Monty Black

Grip:
Jessica Uribe

Key Grip:
Wil Parrott

Key Hair Stylist:
Russell Brady

Key Makeup Artist:
Joann Fowler

Key Production Assistant:
Oliver Rappard
Dale Bredeson

Location Manager:
Costa Vassos

Music:
James Jandrisch

Music Supervisor:
Natasha Duprey

Post Production Supervisor:
Eric Maran

Producer:
Harvey Kahn

Production Accountant:
Svatia Sakarova

Production Coordinator:
Nancy McKenzie

Production Design:
Jill Scott

Production Manager:
Chris Rudolph

Production Supervisor:
Allen Lewis

Property Master:
Bill Burd

Props:
Karolina M. Grant

Script Supervisor:
Linda-Lisa Hayter

Second Assistant Camera:
Boris Martens

Second Assistant Director:
Ryan Kosmynka

Security Coordinator:
Sean Hanlin

Set Decoration:
Gail Luining

Set Dresser:
Eliza Hooker
Robert Carson
Duane Moyer
Marie-Josee Nesbit

Sound Effects Editor:
Patrick Haskill

Sound Mixer:
Steven Weakes

Sound Re-Recording Mixer:
Dean Giammarco
Bill Sheppard

Sound Supervisor:
Anke Bakker

Special Effects Coordinator:
Darcy Davis

Steadicam Operator:
Adam Sliwinski

Still Photographer:
Bob Akester
David Dolsen

Stunt Coordinator:
Lauro David Chartrand-DelValle

Third Assistant Director:
Robert S. Weber

Transportation Captain:
Kam Dhesi

Transportation Coordinator:
Dean Fitzpatrick

Truck Costumer:
Jessica Best

Visual Effects Coordinator:
Nancy Heller

Writer:
Nancey Silvers

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.