A work in constant progress (and occasional regress).
Release Date:
October 14, 1984
Original Title:
Songwriter
Genres:
Drama | Music
Production Companies:
TriStar Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 94
Doc Jenkins may be one of country music's most beloved stars, but his private life is a wreck. He's split up with his longtime partner, Blackie Buck, a country outlaw with a heart of gold. Doc's singer-wife, Honey Carder, has thrown him out of the house. And now he's gotten involved with a sleazy music manager, Rodeo Rocky, who's out to steal his material. Teaming up with Blackie, Doc takes drastic measures to win back his family and reclaim his songs.
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ADR Recordist:
Ralph Thiekötter
Assistant Editor:
Sheri Galloway
Boom Operator:
Don Coufal
Casting:
Vicki Huff
Lynn Stalmaster
Costume Design:
Ernest Misko
Kathleen Gore-Misko
Director:
Alan Rudolph
Director of Photography:
Matthew F. Leonetti
Editor:
Stuart H. Pappé
Stephen Lovejoy
George A. Martin
First Assistant Director:
David McGiffert
Leadman:
Glenn Dunn
Makeup Artist:
Greg LaCava
Music Editor:
George A. Martin
Original Music Composer:
Larry Cansler
Producer:
Sydney Pollack
Production Coordinator:
Janis Benjamin
Production Design:
Joel Schiller
Property Master:
Tommy Tomlinson
Script Supervisor:
Carol Davies
Set Decoration:
Barbara Krieger
Songs:
Willie Nelson
Kris Kristofferson
Sound Editor:
Reid Paul Martin
Dody Dorn
Sound Re-Recording Mixer:
Gary Alexander
Still Photographer:
Van Redin
Supervising Sound Editor:
Robert Grieve
Transportation Co-Captain:
Jay Fuller
Writer:
Bud Shrake
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.