A work in constant progress (and occasional regress).
Release Date:
April 17, 2005
Original Title:
Diary of a Co-Worker
Genres:
Comedy
Production Companies:
Chien Dans La BoƮte Productions
J. Mehrle Enterprises
Pancake Productions Inc.
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 91
DIARY OF A CO-WORKER is a 2005 feature film created in Saint Louis, Missouri, and largely shot on-location at the historic Hi-Pointe Theatre. An exploration of the adversity faced from all sides as a part of service-industry jobs, it follows the exploits of Morrison (Mort Burke, THE MINDY PROJECT, DRUNK HISTORY) as he navigates co-workers, bosses, and the general public among the daily tasks of movie theatre maintenance and his own sense of self-identity. DIARY OF A CO-WORKER was written and directed by Matt McLaughlin, features music by Kevin Buckley, and has a running time of 91 minutes. Viewer discretion is advised (for strong language and depictions of drug use)
Assistant Director:
Amanda McLaughlin
Assistant Editor:
Amanda McLaughlin
Jeremy Mehrle
Jason Meyers
Boom Operator:
Charles Evans
Marcus Freeman
Dave Garcia
Brady Georgen
Courtney Kennedy
Amanda McLaughlin
Jason Meyers
Robert Severson
Cinematography:
Matthew McLaughlin
Color Grading:
Amanda McLaughlin
Matthew McLaughlin
Craft Service:
Amanda McLaughlin
Creative Consultant:
Josh Arnold
Dave Garcia
Brady Georgen
Amanda McLaughlin
Robert Severson
Director:
Matthew McLaughlin
Editor:
Matthew McLaughlin
Gaffer:
Dave Garcia
Jimmy Jib Operator:
Dave Moore
Music:
Kevin Buckley
Producer:
Marcus Freeman
Amanda McLaughlin
Matthew McLaughlin
Robert Severson
Sound Editor:
Matthew McLaughlin
Sound Recordist:
Robert Severson
Storyboard Artist:
Brady Georgen
Matthew McLaughlin
Stunts:
Amanda McLaughlin
Web Designer:
Robert Severson
Writer:
Matthew McLaughlin
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.