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The Eye of the Beholder (2019) [N/A]

Release Date:
May 2, 2019

Original Title:
The Eye of the Beholder

Genres:
Crime

Production Companies:
Ominous Pictures

Production Countries:
Sweden

Ratings / Certifications:
 N/A

Runtime: 90

Overview from TheMovieDB

Alex, an idealistic young assassin, is seen leaving the scene of the crime by a witness, a grave mistake in the eyes of the organisation for which he works. When his Boss assigns him a new long-term job, his commitment to the honourable cause of the organisation is called into question by old friends and new rivals.

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Additional information:

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Performers

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Production

Associate Producer:
Andrea Benoni

Cinematography:
Andreas Torstensson

Costume Design:
Katja Slonawski

Director:
Nicola Camoglio

Editor:
Nicola Camoglio

Executive Producer:
Nicola Camoglio

Key Makeup Artist:
Mimmi Anstensen

Music:
Davide Totaro

Producer:
Mia Herman
Stefano Dessi

Screenplay:
Nicola Camoglio

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.