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The Shining (1980) [R]

Release Date:
May 23, 1980

Original Title:
The Shining

Alternate Titles:
Derakhshesh
Hohto
I lampsi
Mirdzums
Porlash
Rongraem Phi Narok
Shining : L'enfant lumière
Stanley Kubrick's The Shining
Zárení

Genres:
Horror | Thriller

Production Companies:
Hawk Films
Peregrine
The Producer Circle Co.
Warner Bros. Pictures

Production Countries:
United Kingdom | United States of America

Ratings / Certifications:
AR: +13|+18  AU: MA 15+|M  BR: 16  CA: R  DE: 16  DK: 15  ES: 16  FI: K-18|K-16  FR: 12  GB: 18|15  HK: III  HU: 18  IE: 18  IT: VM14  JP: R15+  KR: 18  LT: N-16  MX: B-15|C  NL: 16  NO: 18  PH: R-16  PL: 18  PT: M/16  RU: 16+|18+  SE: 15  SG: M18  TR: 18+  TW: 15+  US: R 

Runtime: 144

A masterpiece of modern horror.

Overview from TheMovieDB

Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.

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American Film Institute (AFI)
2001
#29 		100 Years: 100 THRILLS
100 Most Thrilling American Films
2003
#25 		100 Years: 100 HEROES & VILLAINS
50 Greatest Villains
“Jack Torrance”
2005
#68 		100 Years: 100 MOVIE QUOTES
100 Greatest Movie Quotes Of All Time
“Here's Johnny!”

British Film Institute (BFI)
2012
#75		 Directors' Top 100 Poll
Greatest Films of All Time

Performers

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Production

Art Direction:
Leslie Tomkins

Assistant Camera:
Martin Kenzie
Peter Robinson
Danny Shelmerdine

Assistant Director:
Brian W. Cook
Terry Needham
Michael Stevenson

Assistant Editor:
Steve Pickard
Gill Smith
Gordon Stainforth
Adam Unger

Associate Producer:
Robert Fryer
Mary Lea Johnson
Martin Richards

Boom Operator:
Michael Charman
Ken Weston

Camera Operator:
James Devis
Kelvin Pike

Casting:
James Liggat

Color Grading:
Eddie Gordon

Construction Manager:
Len Furey

Continuity:
June Randall

Costume Design:
Milena Canonero

Decorator:
Bob Walker

Director:
Stanley Kubrick

Director of Photography:
John Alcott

Draughtsman:
Michael Boone
John Fenner
Michael Lamont

Editor:
Ray Lovejoy

Executive Producer:
Jan Harlan

Focus Puller:
Maurice Arnold
Douglas Milsome

Gaffer:
Lou Bogue
Larry Smith

Grip:
Dennis Lewis

Hairstylist:
Leonard

Head Carpenter:
Fred Gunning

Helicopter Camera:
Greg MacGillivray

Key Rigging Grip:
Jim Kelly

Makeup Artist:
Barbara Daly
Tom Smith

Music:
Béla Bartók
Krzysztof Penderecki
György Ligeti

Novel:
Stephen King

Original Music Composer:
Wendy Carlos
Rachel Elkind

Painter:
Del Smith

Producer:
Stanley Kubrick

Production Accountant:
Jo Gregory

Production Assistant:
Emilio D'Alessandro

Production Design:
Roy Walker

Production Manager:
Douglas Twiddy

Production Secretary:
Marlene Butland
Pat Pennelegion

Property Buyer:
Karen Brookes
Edward Rodrigo

Property Master:
Peter Hancock

Props:
Barry Arnold
Philip McDonald
Peter Spencer

Screenplay:
Stanley Kubrick
Diane Johnson

Second Unit Director of Photography:
Douglas Milsome

Set Dresser:
Tessa Davies

Sound Editor:
Dino Di Campo
Jack T. Knight
Winston Ryder

Sound Re-Recording Mixer:
Ray Merrin
Bill Rowe

Sound Recordist:
Richard Daniel
Ivan Sharrock

Steadicam Operator:
Garrett Brown

Wardrobe Supervisor:
Ron Beck
Ken Lawton

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.