Home

Encandilan luces (2019) [N/A]

Release Date:
July 11, 2019

Original Title:
Encandilan luces

Alternate Titles:
Encandilan luces. Viaje psicotrópico con los síquicos litoraleños

Genres:
Documentary

Production Companies:
Carbono Films
Cine Argentino
INCAA
Neuronas In Memoriam

Production Countries:
Argentina

Ratings / Certifications:
 N/A

Runtime: 80

Overview from TheMovieDB

"Chipadelia", "The poor man's Pink Floyd", "psychedelic space chamamé"... Dazzle Lights demands a certain amount of creativity from Dick el Demasiado, Alan Courtis and other music journalists as they seek to describe the indescribable Síquicos Litoraleños. Alejandro Gallo Bermúdez never tries to profile the members of the band from Curuzú Cuatiá; the director appears to respect the privacy of a group that keeps its distance with different outfits and an ongoing quest to alter perceptions. The documentary shifts between the cultural shockwaves made by the group from Corrientes at home and at European festivals and the unintended creation of a rural psychedelic scene at the North-East of Argentina, as well as an unexpected clash with the Curuzú Cuatiá native Cristian Osorio, found of the now defunct group Saltimbankis.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Performers

Click the heading above to show or hide the list.

Production

Additional Camera:
Sombra Blanco

Camera Operator:
Hernán Luna

Color Grading:
Gaspar 'Quique' Silva

Director:
Alejandro Gallo Bermúdez

Director of Photography:
Hernán Luna

Editor:
Federico Casoni

Production Assistant:
Griselda Cazorla
Úrsula Núñez Cornejo

Sound Effects Editor:
Agustín Casola

Sound Mixer:
Roberto Migone

Sound Recordist:
Luciana Braga

Supervising Sound Editor:
José E. Caldararo

Writer:
Alejandro Gallo Bermúdez
Santiago Van Dam

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.