A work in constant progress (and occasional regress).
Release Date:
September 14, 2010
Original Title:
Pure Data Read as Pure Data
Genres:
Animation | Documentary
Ratings / Certifications:
N/A
Runtime: 12
"Pure Data Read as Pure Data" can be envisaged as an observation of the machine by itself, proposing a physical experience of the numeric data and its different languages and contents. In the video version, as a tautological process, the content of the Pure Data application is read as pure data that are directly displayed as sounds and pixels. This is a concrete exploration of the binary code and its intrinsic qualities (structure, logic, rhythm, redundancy, compression) immediately returned by the computer in the form of visual and sound flows. A direct immersion in the heart of digital abstractions.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.