A work in constant progress (and occasional regress).
Release Date:
December 23, 1976
Original Title:
Quelle strane occasioni
Genres:
Comedy | Romance
Production Companies:
Rizzoli Film
Production Countries:
Italy
Ratings / Certifications:
IT: VM18
Runtime: 112
Three sexy and comic episodes.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Administration:
Claudio Saraceni
Assistant Camera:
Stefano Coletta
Massimo Pau
Enrico Priori
Daniele Nannuzzi
Boom Operator:
Giulio Viggiani
Corrado Volpicelli
Camera Operator:
Giuseppe Lanci
Luciano Tonti
Nino Cristiani
Co-Director:
Massimo Patrizi
Costume Design:
Lucia Mirisola
Fiorenzo Senese
Bruna Parmesan
Director:
Luigi Comencini
Luigi Magni
Nanni Loy
Director of Photography:
Aldo Tonti
Armando Nannuzzi
Claudio Ragona
Editor:
Ruggero Mastroianni
Franco Fraticelli
Nino Baragli
Executive Producer:
Fausto Saraceni
First Assistant Director:
Ignazio Dolce
Antonio Brant
Foley Artist:
Luciano Anzellotti
Hairstylist:
Rosa Luciani
Galileo Mandini
Aldo Signoretti
Makeup Artist:
Giulio Natalucci
Gianfranco Mecacci
Franco Rufini
Original Music Composer:
Piero Piccioni
Producer:
Andrea Rizzoli
Production Accountant:
Ilo Saccà
Production Design:
Lucia Mirisola
Fiorenzo Senese
Osvaldo Desideri
Production Manager:
Carlo Bartolini
Emanuele Spatafora
Attilio Viti
Screenplay:
Leonardo Benvenuti
Piero De Bernardi
Rodolfo Sonego
Script Supervisor:
Ilde Muscio
Rita Agostini
Grazia Baldanello
Sound:
Massimo Iabone
Mario Dallimonti
Still Photographer:
Dario Cavalcanti
Firmino Palmieri
Story:
Sergio Corbucci
Rodolfo Sonego
Unit Manager:
Bruno Gallo
Cristiano Saraceni
Massimo Ferrero
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.