A work in constant progress (and occasional regress).
Release Date:
March 18, 2022
Original Title:
Master
Alternate Titles:
มาสเตอร์ เหยียด ลับ หลอน
マスター 見えない敵
Genres:
Drama | Horror | Mystery | Thriller
Production Companies:
Amazon Studios
Animal Kingdom
Big Indie Pictures
Production Countries:
United States of America
Ratings / Certifications:
BR: 14 ES: 18 GB: 15 SG: M18 US: R
Runtime: 98
At an elite New England university built on the site of a Salem-era gallows hill, two black women strive to find their place. Navigating politics and privilege, they encounter increasingly terrifying manifestations of the school's haunted past… and present.
Art Direction:
Gonzalo Cordoba
Assistant Art Director:
Max Nadilo
Costume Design:
Mirren Gordon-Crozier
Director:
Mariama Diallo
Director of Photography:
Charlotte Hornsby
Executive Producer:
Terence Nance
Regina Hall
Foley Artist:
Biko Gogaladze
Foley Supervisor:
Beso Kacharava
Original Music Composer:
Robert Aiki Aubrey Lowe
Producer:
Andrea Roa
Brad Becker-Parton
Joshua Astrachan
Production Design:
Meredith Lippincott
Tommy Love
Screenplay:
Mariama Diallo
Set Decoration:
Olivia Peebles
Set Decoration Buyer:
Lorena Montesdeoca
Set Dresser:
Gina Cimmelli
Sound Re-Recording Mixer:
Robert Fernandez
Steadicam Operator:
Devon Catucci
Visual Effects Supervisor:
Cristin Pescosolido
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.