A work in constant progress (and occasional regress).
Release Date:
November 20, 1981
Original Title:
Butcher, Baker, Nightmare Maker
Alternate Titles:
Amenaza en la noche
Momma's Boy
Mrs. Lynch
Night Warning
Nightmare Maker
The Evil Protege
Thrilled to Death
À la limite du cauchemar
Genres:
Horror | Thriller
Production Companies:
Royal American Pictures
S2D Associates
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 96
Rejected by her lover, the only man left in Cheryl's life is the orphaned nephew she has raised as her own son. She'll stop at nothing to keep Billy with her. When her plans misfire, she is swept up into an insane frenzy that means death to anyone who comes between her and her obsession. But the investigating detective is convinced that Billy is the real killer - and determined to prove it. Madness and fanaticism work together to drag all concerned into a terrifying vortex of blood-letting that adds a nightmarish twist to the classic Oedipus story.
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Assistant Director:
Don Yorkshire
Casting:
Joan Simmons
Co-Producer:
Eugene Mazzola
Costumer:
Linda M. Bass
Director:
William Asher
Director of Photography:
Jan de Bont
Robbie Greenberg
Editor:
Ted Nicolaou
Executive Producer:
Richard Carrothers
Dennis Hennessy
Hairstylist:
Maria Wikke
Makeup Supervisor:
Erica Ueland
Original Music Composer:
Bruce Langhorne
Producer:
Steve Briemer
Production Sound Mixer:
Art Names
Screenplay:
Steve Briemer
Alan Jay Glueckman
Boon Collins
Second Assistant Director:
James Charleston
Sound Effects:
Val Kuklowsky
Special Effects Makeup Artist:
Allan A. Apone
Story:
Alan Jay Glueckman
Boon Collins
Stunt Coordinator:
Paul Baxley
Tommy J. Huff
Stunt Driver:
Rod Amateau
Carrie Salazar
Angelo Lamonea
Skip Ward
Jerry Summers
Unit Production Manager:
Eugene Mazzola
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.