A work in constant progress (and occasional regress).
Release Date:
December 31, 2020
Original Title:
Shadow in the Cloud
Alternate Titles:
Pasajero oculto
Shadow In The Cloud
Uma Sombra na Nuvem
Una sombra en la nube
Тень в облаках
ประจัญบาน อสูรเวหา
高凶任務
쉐도우 인 더 클라우드
Genres:
Action | Horror | War
Production Companies:
Automatik Entertainment
Endeavor Content
Four Knights Film
Hercules Film Fund
New Zealand Film Commission
Rhea Films
Production Countries:
Luxembourg | New Zealand | United States of America
Ratings / Certifications:
AU: MA15+ BR: 14 CA: 14A DE: 16 GB: 15 HK: IIB HU: 16 IE: 15 KR: 15 NZ: 13 PL: 16 PT: M/14 SG: NC16 SK: 15 US: R
Runtime: 83
A WWII pilot traveling with top secret documents on a B-17 Flying Fortress encounters an evil presence on board the flight.
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"B" Camera Operator:
George Hennah
ADR Mixer:
Jeffrey Roy
Beau Emory
Additional Sound Re-Recording Mixer:
Phil Heywood
Animation Supervisor:
Anneka Fris
Art Direction:
Mark Stephen
Assistant Costume Designer:
Barbara Tee
Assistant Production Coordinator:
Alana Henderson
Best Boy Electric:
Nicklaus Pretscherer
Best Boy Grip:
Craig Johnson
Boom Operator:
Gerry Parke
Casting:
Chelsea Ellis Bloch
Marisol Roncali
Casting Assistant:
Sara Stone
Sinead Fitzgerald
Casting Associate:
Joe Fisher
Co-Producer:
Belindalee Hope
Alexander Borgers
Colorist:
Clare Burlinson
Costume Design:
Kristin Seth
Costume Illustrator:
Miriam Silvester
Costume Standby:
Nat Van Halle
Dialect Coach:
Jacque Drew
Digital Imaging Technician:
Michael Urban
James Elliston
Isaac Spedding
Director:
Roseanne Liang
Director of Photography:
Kit Fraser
Editor:
Tom Eagles
Executive Producer:
Jean-Luc De Fanti
Paris Kassidokostas-Latsis
Terry Dougas
Annie Marter
Sandra Yee Ling
Fight Choreographer:
Tim Wong
First Assistant "A" Camera:
George Hennah
Ben Rowsell
First Assistant "B" Camera:
David Hammond
David Steel
First Assistant Accountant:
Jonathan Harding
First Assistant Director:
Hamish Gough
Foley:
Jordan Smith
Sam Moore
Gaffer:
Sam Jellie
Grip:
Mickaele Evans
Hair Designer:
Gabrielle Jones
Hairstylist:
Rachel Johanson
Pilar Alegre
Key Grip:
Kayne Asher
Key Hair Stylist:
Dianne Ensor
Key Makeup Artist:
Dianne Ensor
Local Casting:
Stu Turner
Makeup Artist:
Rachel Johanson
Pilar Alegre
Makeup Designer:
Gabrielle Jones
Music Consultant:
Mary Ramos
Music Coordinator:
Jenna Ackerman
Music Editor:
Emile de la Rey
Music Supervisor:
Karyn Rachtman
Original Music Composer:
Mahuia Bridgman-Cooper
Producer:
Fred Berger
Tom Hern
Kelly McCormick
Brian Kavanaugh-Jones
Production Accountant:
Marc Tyron
Production Assistant:
Tameka Sowman Vahatau
Jaya Beach-Robertson
Production Coordinator:
Andrew Marshall
Production Design:
Gary Mackay
Production Manager:
Karla Wallace
Production Runner:
Keely Meechan
Dakota Zemke-White
Property Master:
Mela Blackwell
Prosthetic Designer:
Gabrielle Jones
Prosthetic Makeup Artist:
Dan Perry
Rotoscoping Artist:
Kay Hoddy
Script Supervisor:
Laura Miles
Second Assistant "A" Camera:
Nick Willoughby
Second Assistant "B" Camera:
Jonathan Bowes-Onions
Jake Stanton
Jamieson Montgomery
Second Assistant Director:
Sophie Calver
Second Unit Director:
Tom Hern
Second Unit Director of Photography:
Andrew McGeorge
Set Decoration:
Tane Jarrett
Sound Designer:
Amy Barber
Sound Effects Editor:
Gareth Van Niekerk
Sound Mixer:
Fred Enholmer
Sound Re-Recording Mixer:
Tim Chaproniere
Alexis Feodoroff
Sound Supervisor:
Greg Junovich
Special Effects Coordinator:
Tanya Bidois
Special Effects Makeup Artist:
Dan Perry
Special Effects Supervisor:
Jason Durey
Standby Art Director:
Mike Becroft
Still Photographer:
Kirsty Griffin
Jennifer Raoult
Geoff Short
Storyboard Artist:
Dylan Coburn
Stunt Coordinator:
Tim Wong
Stunt Double:
Lucy O'Connor
Robert Young
Stunts:
Jacqueline Lee Geurts
Kawhia Chambers
Riley Phillips-Harris
Jacob Tomuri
Supervising Sound Editor:
Nick Buckton
Third Assistant Director:
Olivier Campana
Transportation Captain:
Aaron Gibson
Unit Publicist:
Courtney Mayhew
VFX Artist:
Jason Astley
Visual Effects:
Joe Howes
Visual Effects Producer:
Steven McKendry
Visual Effects Supervisor:
Stephen Unterfranz
Writer:
Roseanne Liang
Max Landis
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.