A work in constant progress (and occasional regress).
Release Date:
January 6, 2020
Original Title:
Cons & Pros
Production Companies:
Boss & Co
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 11
Cons & Pros follows the story of two con artist women inspired by 2019's media scam darlings Anna Delvey and Caroline Calloway. In order to pull off our con movie, we had to pull off a con ourselves: a piece of Heist Cinema, made by four people on a near zero dollar budget. To make the film we staged a marriage proposal at a luxury Toronto hotel and had our director/cinematographer pose as an "engagement videographer." Costumes were rented and returned from Saks Fifth Ave, and all props/art were courtesy of rich & generous (and lightly duped) strangers. The film was an exercise in how the process affects the product, whilst also exploring what we feel is our duty as millennial artists living on the outskirts of the oppressive Neoliberal torture factory. Cons & Pros is a big middle finger to the capitalist regime's promise of a luxury life that will never be ours. Making this film meant taking it without asking, and showing no mercy.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.