A work in constant progress (and occasional regress).
Release Date:
May 3, 1992
Original Title:
Past Midnight
Alternate Titles:
Ohne jede Reue
Genres:
Drama | Mystery | Romance | Thriller
Production Companies:
CineTel Films
Production Countries:
United States of America
Ratings / Certifications:
JP: R18+
Runtime: 100
A man gets out of prison after 15 years for stabbing his wife to death, and his social worker becomes convinced he was innocent. As she researches his case, and interviews other people who were involved, she begins to fall in love with him, as her friends warn her that he's dangerous.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Ted Swanscott
Jeff Courtie
Art Direction:
Daniel Self
Assistant Accountant:
Charlie Davidson
Pauline Muñoz
Assistant Editor:
William Marrinson
Mark Fitzgerald
Assistant Location Manager:
Peter E. Hirsch
Assistant Production Coordinator:
Kathleen “Arias” McKenzie
Assistant Property Master:
John Ceniceros
Assistant Sound Editor:
Sue Clancy
Associate Producer:
Quentin Tarantino
Catalaine Knell
Frank Norwood
Best Boy Electric:
Michael Gall
Best Boy Grip:
Craig C. Wallace Jr.
Boom Operator:
H. Thomas Condon III
Carpenter:
Carl Choquette
Casting:
Paul Adler
Jodi Rothfield
Casting Assistant:
Darren G. Frale
Casting Consultant:
Bonnie Timmermann
Charge Scenic Artist:
Anne Hyvarinen
Co-Producer:
Nancy Rae Stone
Color Timer:
Ray Morfino
Conductor:
Tommy Tycho
Costume Design:
Ronald Leamon
Dialogue Editor:
David Harrison
Director:
Jan Eliasberg
Director of Photography:
Robert D. Yeoman
Dolly Grip:
Mark Lorge
Editor:
Christopher Rouse
Electrician:
Bob Leitelt
Colin R. Kell
Don Mosley
Executive In Charge Of Production:
Linda A. Borgeson
Executive Producer:
Paul Hertzberg
First Assistant Camera:
John Boccaccio
First Assistant Director:
Mary Ellen Woods
First Assistant Editor:
Linda Shamest
Foley Artist:
Gerry Long
Foley Mixer:
Steve Burgess
Gaffer:
Chris Morley
Greensman:
Michael McCombe
Grip:
Michael DiIorio
Hunter Mann
Gregory D. Smith
Janine M. Cook
Chris Thornton
Key Grip:
Renton-Paul Medcalf
Key Hair Stylist:
Michael White
Key Makeup Artist:
Tania McComas
Leadman:
Loren McNamara
Benjamin Hayden
Location Manager:
Vicky Berglund-Davenport
Makeup Department Head:
Keith Hall
Music Coordinator:
Leon Gaer
Music Editor:
Douglas M. Lackey
Bob Badami
Andrew Lancaster
Negative Cutter:
Heidi Zellner
Orchestrator:
Peter Gordon
Original Music Composer:
Steve Bartek
Painter:
Mike Lopez
Alexander Maloney Lamb
Post Production Supervisor:
Sandee Terzis
Producer:
Lisa M. Hansen
Production Coordinator:
Alisoun F. Lamb
Production Design:
Sharon Seymour
Production Supervisor:
Cheryl L. Hayes
Property Master:
Scott Tabor
Scenic Artist:
Aimee J. Miller-Rickel
Isabella “Laurie” LeClair
Score Engineer:
Richard Lush
Script Supervisor:
Karen Thorndike
Second Assistant Camera:
Ken Glassing
Second Assistant Director:
Lynn Wegenka
Set Decoration:
Michael Bernard Anderson
Set Dresser:
Amanda Fin
Sue Reeve
Chad Jacobsen
Geof Spencer
Norma Jean Austin
Sound Editor:
Paul Pirola
Glenn Newnham
Yvonne van Gyen
Peter Burgess
Sound Mixer:
Robert Marts
Sound Re-Recording Mixer:
Terry Rodman
David Harrison
Special Effects:
Kevin McCarthy
Special Effects Assistant:
Bruce Tyler
Bruno Stempel
Casey E. Quinn
Still Photographer:
Peter Riches
Storyboard Artist:
David Lowery
Stunt Coordinator:
Spiro Razatos
Steven Lambert
Stunts:
Billy D. Lucas
Cheryl Wheeler Duncan
Shane Dixon
Phil Chong
Chris Durand
David Boushey
Supervising Sound Editor:
Terry Rodman
Title Designer:
Neal Thompson
Transportation Captain:
James Barry Phillips
Transportation Coordinator:
Robert T. Chestnut
Unit Manager:
L. Hansen
Wardrobe Assistant:
Michele Dunn
Wardrobe Supervisor:
Henry Earl Lewis
Writer:
Frank Norwood
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.