A work in constant progress (and occasional regress).
Release Date:
July 31, 2020
Original Title:
What We Found
Alternate Titles:
The Buried Girl
Genres:
Thriller
Production Companies:
Create Entertainment
Freestyle Digital Media
Pretty Damn Sweet
Reconstruction Pictures
Production Countries:
United States of America
Ratings / Certifications:
GB: 15 US: NR
Runtime: 110
Close friends Marcus and Holly begin their freshman year at a tough public high school in Baltimore County, Maryland. When Cassie, a well liked senior at the school, disappears suspiciously, both of their lives change forever. Together, will they find out what happened to Cassie? And after a dramatic confrontation, will any of them ever be the same?
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ADR Mixer:
Stephen C. Davies
Additional Camera:
Dave Manzo
Sebastian Nieves
Additional Sound Re-Recording Mixer:
Dan La Porta
Armorer:
Joe James
Art Direction:
Eugene K. Johnson
Assistant Editor:
Stephen Chandler
Destiny Reyes
Ryan Carty
Best Boy Electric:
Matthew Eldridge
Camera Trainee:
Sam Finzi
Casting:
Barbara J. McCarthy
Alice Merlin
Co-Executive Producer:
Pramod Jain
Neeta Jain
Karen Ray
Andy Ray
Larry Weitzner
Colorist:
Erich Gilbride
Costume Designer:
Christine Meyers
Dialogue Editor:
Stephen C. Davies
Director:
Ben Hickernell
Director of Photography:
Steve Buckwalter
Drone Operator:
Steve Buckwalter
Dave Manzo
Anthony Stracquadanio
Editor:
Phillip J. Bartell
Dave Manzo
Ben Hickernell
Executive Producer:
Constance Williams
Tony Schneider
J. Andrew Greenblatt
Louis Bluver
Extras Casting:
Sunny Edelman
First Assistant Camera:
Sebastian Nieves
Adam Bogus
First Assistant Director:
Vernon Guinn
Foley Artist:
Oscar Convers
Joanna Fang
Leslie Bloome
Foley Editor:
Laura Heinzinger
Foley Mixer:
Julian Angel
Nick Seaman
Ryan Collison
Gaffer:
John F. Draus
Joseph Hennigan
Key Grip:
Anthony Stracquadanio
Dan Stack
Key Production Assistant:
Ian Tomasch
Stephen Dodson
Legal Services:
Diane Davidson
Locale Casting Director:
Heidi K. Eklund
Location Manager:
Stephen Harris
Location Scout:
Ben Hickernell
Makeup Effects:
Fre Howard
Makeup Effects Designer:
Michele Widermann
Music Supervisor:
Ryan Duda
Musician:
Leah Zeger
Artyom Manukyan
Orchestrator:
Jens Bjørnkjær
Original Music Composer:
Sam Hirschfelder
Post Production Supervisor:
Stephen Gifford
Producer:
Stephen Gifford
Rick Sebeck
Ben Hickernell
Atit Shah
Production Assistant:
Paige Banfield
Abby Shaffer
Joon Chung
Issack Cintron
Jennifer Blackburn
Christine Solazzo
John Woods
Mitra Arthur
Taylor Watson Seupel
Production Coordinator:
Allison Weiner
Production Design:
Jack Ryan
Production Intern:
Taonga Luma
Screenplay:
Ben Hickernell
Script Supervisor:
Lain Kienzle
Second Assistant Camera:
Julian Rodriguez
Destiny Reyes
Second Assistant Director:
Lauren K. McGarry
Second Second Assistant Director:
Dani Hanks
Set Costumer:
Daryl Stone
Set Dresser:
Niki Singleton
Sound Designer:
Diego Jimenez
Sound Effects Editor:
Julian Angel
Oscar Convers
Sound Mixer:
Viktor Weiszhaupt
Matthew Gelzer
Sound Post Production Coordinator:
Jon Mackey
Sound Re-Recording Mixer:
Chris Stangroom
Steadicam Operator:
Joseph Hennigan
Still Photographer:
Sam Finzi
Stunt Coordinator:
Drew Leary
Blaise Corrigan
Stunt Double:
Caly Givens
Justin Clarke
Supervising Sound Editor:
Chris Stangroom
Thanks:
Hans Eric Hollstein
Violet Romero
Cary Woodworth
Kris King
Title Designer:
Rick Sebeck
Unit Production Manager:
Steven Nguyen
Roy Koriakin
Visual Effects Compositor:
Dan Gauthier
Denis Dmitriev
Visual Effects Supervisor:
Rick Sebeck
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.