A work in constant progress (and occasional regress).
Release Date:
July 5, 2019
Original Title:
Do You Believe in Magic?
Production Countries:
France | Netherlands
Ratings / Certifications:
N/A
Runtime: 6
Andromeda, formerly known as Cassiopeia’s daughter, will become the next Google operating system. Cassandra, princess of Troy, has become a database management system. Palantir, the seeing stone from The Lord of the Rings, is powering US counter-terrorism and predictive policing. As if haunted, we tend to rely on occult narratives from a distant past in order to understand our technological present. New worlds wear the costumes of the old, while the products of today’s technology companies are anything but fictional, and their mechanisms increasingly opaque. This project questions the effect of a rhetoric used by those who design the surface and the very core of contemporary technologies. What is the impact of mystification on our ability to understand? Do You Believe in Magic? draws the outlines of a corporate secrecy made of unicorn alchemists and wizards. Welcome home, where during a night, inanimate objects come to life and magic turns into horror.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.