A work in constant progress (and occasional regress).
Release Date:
December 14, 2019
Original Title:
Tintin et le mystère de la momie Rascar Capac
Alternate Titles:
Tintin and the Rascar Capac Mummy
Tintin e il mistero della mummia
Tintín y el misterio de la momia Rascar Capac
Genres:
Documentary | History | TV Movie
Production Companies:
ARTE GEIE
Moulinsart
Panoramique Terre Productions
RTBF
Un Film à la Patte
Production Countries:
Belgium | France | Germany
Ratings / Certifications:
N/A
Runtime: 52
Rascar Capac, the sinister creature featured on Hergé's album The Seven Crystal Balls (1948), has left its mark on many generations of readers. To draw it, the Belgian cartoonist was probably inspired by a mummy exhibited in the first pre-Columbian exhibition organized by the Brussels Cinquantenaire Museum in 1923. Two intrepid archaeologists embark on a fascinating journey to reconstruct the story of the mysterious mummy.
Associate Producer:
Nick Rodwell
Yves Février
Camera Operator:
Aïdan Obrist
Fabrice Debusschere
Color Grading:
Yves Brua
Director:
Frédéric Cordier
Drone Cinematographer:
Andrés Quiroz Sánchez
Editor:
David Fernandes
Executive Producer:
Agnès Trintzius
Frédéric Cordier
Graphic Designer:
Jean-Clément Turblin
Original Music Composer:
Stéphane Grégoire
Producer:
Agnès Trintzius
Frédéric Cordier
Production Manager:
Sophie Gélinotte
Sound Editor:
Bertrand Leroy
Stéphane Grégoire
Sound Engineer:
Benjamin Haïm
Omar Perez
Sound Mixer:
Bertrand Leroy
Stéphane Grégoire
Technical Advisor:
Serge Lemaitre
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.