A work in constant progress (and occasional regress).
Release Date:
September 2, 1960
Original Title:
Krzyżacy
Alternate Titles:
Black Cross
Die Kreuzritter
Genres:
Adventure | Drama | History
Production Companies:
Zespół Filmowy "Studio"
Production Countries:
Poland
Ratings / Certifications:
N/A
Runtime: 166
A tale of a young impoverished nobleman, who with his uncle returns from a war against the order of the Teutonic Knights in Lithuania. He falls in love with a beautiful woman and pledges an oath to bring her "three trophies" from the Teutonic Knights.
Assistant Camera:
Czesław Grabowski
Wojciech Urbanowicz
Tadeusz Zając
Assistant Costume Designer:
Wiesława Chojkowska
Stefan Moszkowicz
Assistant Director:
Ryszard Rydzewski
Assistant Editor:
Anna Rubińska
Urszula Śliwińska
Assistant Makeup Artist:
Anna Śmiech
Mirosław Jakubowski
Jan Płażewski
Assistant Production Design:
Tadeusz Wybult
Zdzisław Kielanowski
Halina Dobrowolska
Marek Iwaszkiewicz
Ignacy Gaworkiewicz
Assistant Production Manager:
Franciszek Petersile
Jan Szymański
Józef Drzewicki
Bogusław Kozakiewicz
Tadeusz Urbanowicz
Zofia Budzińska
Ryszard Barski
Camera Operator:
Franciszek Kądziołka
Conductor:
Jan Krenz
Costume Assistant:
Teresa Gałkowska-Lesman
Danuta Polis
Costume Design:
Lech Zahorski
Michelle Zahorska
Dialogue:
Leon Kruczkowski
Aleksander Ford
Director:
Aleksander Ford
Director of Photography:
Mieczysław Jahoda
Editor:
Alina Faflik
Mirosława Garlicka
First Assistant Director:
Zbigniew Kuźmiński
Karol Chodura
Makeup Artist:
Jan Dobracki
Miloslav Jandera
Music:
Kazimierz Serocki
Novel:
Henryk Sienkiewicz
Production Design:
Roman Mann
Production Manager:
Zygmunt Król
Screenplay:
Aleksander Ford
Jerzy Stefan Stawiński
Script Supervisor:
Hanna Morawiecka
Sound:
Leonard Księżak
Leszek Wronko
Sound Assistant:
Zygmunt Nowak
Józef Tomporek
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.