A work in constant progress (and occasional regress).
Release Date:
March 15, 2018
Original Title:
La Brigade des papiers
Alternate Titles:
La Brigada de Papel: la Shoá y los libros de Vilna
La Brigata di Carta che salvò la cultura Yiddish
Papier-Brigade: Die Shoah und die Bücher von Vilnius
The Paper Brigade: Saving Yiddish Culture in Vilnius
Genres:
Documentary | History
Production Companies:
ARTE GEIE
LRT
Les Films de la Mémoire
Pois Chiche Films
RTBF
Production Countries:
Belgium | France | Germany | Lithuania
Ratings / Certifications:
N/A
Runtime: 60
Lithuania, 1941, during World War II. Hundreds of thousands of texts on Jewish culture, stolen by the Germans, are gathered in Vilnius to be classified, either to be stored or to be destroyed. A group of Jewish scholars and writers, commissioned by the invaders to carry out the sorting operations, but reluctant to collaborate and determined to save their legacy, hide many books in the ghetto where they are confined. This is the epic story of the Paper Brigade.
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Assistant Director:
Julija Matulyte
Color Grading:
Stéphan Higelin
Director:
Diane Perelsztejn
Director of Photography:
Didier Hill-Derive
Drone Cinematographer:
Aleksey Zaitsevsky
Evaldas Černiauskas
Editor:
Marguerite Le Bourgeois
Executive Producer:
Willy Perelsztejn
Gaidig Lavanant
Olivier Roncin
Graphic Designer:
Stéphan Higelin
Music Supervisor:
Marc Doutrepont
Post Production Coordinator:
Adrien Thyrion
Producer:
Willy Perelsztejn
Olivier Roncin
Production Assistant:
Jean Dewailly
Chloé Lucin
Production Director:
Emmanuel Leraille
Production Manager:
Adeline Pavageau
Researcher:
Levana Frenk
Sound Editor:
Sander Villers
Pierre Bruyns
Natascha Eeman
Sound Engineer:
Philippe Vandendriessche
Sound Mixer:
Natascha Eeman
Sander Villers
Pierre Bruyns
Technical Advisor:
Bernard Suchecky
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.