A work in constant progress (and occasional regress).
Release Date:
December 11, 2020
Original Title:
El agente topo
Alternate Titles:
El agente topo
O Espião
Undercover OAP: The Mole Agent
Genres:
Documentary
Production Companies:
Gravitas Ventures
ITVS
Malvalanda
Motto Pictures
Sundance Institute
Sutor Kolonko
Tribeca Film Institute
Volya Films
Production Countries:
Chile | Germany | Netherlands | Spain | United States of America
Ratings / Certifications:
AU: G CH: 12 JP: G
Runtime: 89
When a daughter becomes concerned about her mother's well-being in a retirement home, private investigator Romulo hires Sergio, an 83-year-old man who becomes a new resident—and a mole inside the home, who struggles to balance his assignment with becoming increasingly involved in the lives of several residents.
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ADR & Dubbing:
Roberto Espinoza
Art Direction:
Catalina Devia
Assistant Camera:
Simón Kaulen
Assistant Director:
Loreto Contreras
Assistant Editor:
Cristopher Farfán
Associate Producer:
Franz Ruz
Co-Producer:
Ingmar Trost
Fleur Knopperts
Denis Vaslin
María del Puy Alvarado
Marisa Fernández Armenteros
Compositor:
Vincent van Warmerdam
Consulting Editor:
Petra Lataster-Czisch
Dialogue Coach:
Paula Zúñiga
Dialogue Editor:
Salomé Román
Roberto Zuñiga
Director:
Maite Alberdi
Director of Photography:
Pablo Valdés
Editor:
Carolina Siraqyan
Editorial Staff:
Sebastián Brahm
Executive Producer:
Marcela Santibáñez
Maite Alberdi
Sally Jo Fifer
Justine Nagan
Original Music Composer:
Vincent van Warmerdam
Other:
Antonia Larenas
Producer:
Marcela Santibáñez
Production Executive:
Julie Goldman
Christopher Clements
Carolyn Hepburn
Researcher:
Loreto Contreras
Screenplay:
Maite Alberdi
Script Consultant:
Pedro Peirano
Miguel Machalski
Sound:
Boris Herrera
Juan Carlos Maldonado
Sound Designer:
Roberto Espinoza
Sound Director:
Roberto Espinoza
Salomé Román
Sound Effects Editor:
Antonia Larenas
Salomé Román
Pablo Illesca
Sound Mixer:
Roberto Espinoza
Sound Post Production Coordinator:
Marcos De Aguirre
Sound Supervisor:
Pablo Bahamóndez
Visual Effects:
Mauro Contreras Villegas
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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