The Perfect Age of Rock 'n' Roll (2011) [R]

Release Date:
August 5, 2011

Original Title:
The Perfect Age of Rock 'n' Roll

Genres:
Drama | Music

Production Companies:
Red Hawk Films

Production Countries:
United States of America

Ratings / Certifications:
US: R 

Runtime: 92

Every generation has it's legend.

In this film, childhood friends come face to face with the demons of rock and roll (lust, drugs, and passion) on a cross-country road trip that compels them to face their past, present, and future. Rocker Spyder, whose debut album was a huge hit saw his follow-on album bomb, causing him to retreat to his small hometown and give up. Seven years later, 27-year-old Spyder reconnects with his long-lost best friend and writer of his debut album Eric, son of a late great punk rock guitar legend, who has long settled into the sedate life of a suburban middle school music teacher. The reunion forces the two to recall their youthful ambitions and re-examine the choices they've made.

Additional information:

The Search Form


Associate Producer:
Karen L. Thorson

Casting:
Kim Taylor-Coleman

Casting Assistant:
Jessica Munks

Casting Associate:
Eve Streger

Costume Design:
Melissa Meister

Director:
Scott D. Rosenbaum

Director of Photography:
Tom Richmond

Editor:
Madeleine Gavin

Line Producer:
Patrick Peach
Tony Grazia

Location Manager:
David Chambers
Louis Zuppardi
Diane Friedman

Location Scout:
Jesse Davidson
Timothy J. Fee

Music:
Andrew Hollander

Music Editor:
Dan Evans Farkas

Music Supervisor:
Christopher Covert

Producer:
Neil Carter
Scott D. Rosenbaum
Joseph White
Mike Ellis

Production Coordinator:
Michyl-Shannon Quilty
Joanna Lara Zuppardi

Production Design:
Sarah Frank

Screenplay:
Jasin Cadic

Script Supervisor:
Carolyn De Sousa

Set Decoration:
Susan Perlman

Stand In:
Sarah Beth Nelson

Unit Production Manager:
Holly Rymon
Traceigh Scottel

Writer:
Scott D. Rosenbaum

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.