A work in constant progress (and occasional regress).
Release Date:
April 19, 2002
Original Title:
L’ora di religione – Il sorriso di mia madre
Alternate Titles:
L'ora di religione (Le sourire de ma mère)
La hora de la religión
Genres:
Drama
Production Companies:
Filmalbatros
RAI Cinema
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 105
A celebrated painter receives a visit from a cardinal's assistant, who informs him that his mother could become a saint.
Animation:
Annalisa Corsi
Assistant Camera:
Mercedes Porter Hope
Assistant Costume Designer:
Erminia Melato
Assistant Production Design:
Gian Maria Cau
Boom Operator:
Vincenzo Nardi
Camera Operator:
Guido Chimatti
Casting:
Béatrice Kruger
Costume Design:
Sergio Ballo
Director:
Marco Bellocchio
Director of Photography:
Pasquale Mari
Editor:
Francesca Calvelli
First Assistant Director:
Daniela Ceselli
Foley Artist:
Sergio Basili
Gaffer:
Domenico Caiuli
Hairstylist:
Sabrina Romanelli
Key Grip:
Roberto Moreschini
Line Producer:
Luigi Lagrasta
Makeup Artist:
Roberta Petrini
Original Music Composer:
Riccardo Giagni
Painter:
Marco Bellocchio
Producer:
Marco Bellocchio
Sergio Pelone
Production Design:
Marco Dentici
Production Manager:
Gianluca Chiaretti
Production Secretary:
Massimiliano Pisechi
Renata Moro
Alessandro Sogliuzzo
Screenplay:
Marco Bellocchio
Script Supervisor:
Iole Natoli
Second Assistant Director:
Emanuela Tomassetti
Giuseppe Eusepi
Set Decoration:
Paola Riviello
Sound:
Maurizio Argentieri
Sound Editor:
Emanuela Di Giunta
Sound Mixer:
Angelo Raguseo
Steadicam Operator:
Guido Chimatti
Still Photographer:
Stefano D'Amadio
Unit Manager:
Sandra Bonacchi
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.