La Traviata (2015) [N/A]

Release Date:
June 1, 2015

Original Title:
La Traviata

Production Companies:
ARTE
Festspielhaus Baden-Baden
SWR
Unitel

Production Countries:
Germany

Ratings / Certifications:
 N/A

Runtime: 139

Melodramma in three acts

Olga Peratyatko and Atalla Ayan star in Rolando Villazón's scintillating production of Verdi's La Traviata at the Festspielhaus in Baden Baden, Germany. Supported by the Balthasar-Neumann-Chor and the Balthasar-Neumann-Ensemble.

Additional information:

The Search Form


Assistant Costume Designer:
Agnes Barruel

Assistant Director:
Alexander Radulescu

Assistant Set Designer:
Anna Beck

Camera Operator:
Michael-Christian Oertel
Michael Horcher
Dirk Flieger
Clemens-Emanuel Reinelt
Jacqueline Appel
Udo Schmitz
Florin Kostrakiewicz
Hans-Jürgen Rennau
Christoph Schmitz

Chief Lighting Technician:
Peter Kanneberger

Choreographer:
Philippe Giraudeau

Commissioning Editor:
Olaf Rosenberg
Karl Thumm

Conductor:
Pablo Heras-Casado
Detlef Bratschke

Costume Designer:
Thibault Vancraenenbroeck

Costume Supervisor:
Astrid Eisenberger

Director:
Nele Münchmeyer

Editor:
Claudia Enders

Editorial Manager:
Joachim Lang

Head Carpenter:
Gregor Sand

Lighting Design:
Davy Cunningham

Lighting Technician:
Bernd Herr

Line Producer:
Klaus Hartmann
Christiane Wolf

Lyricist:
Francesco Maria Piave

Makeup Department Head:
Raimund Ostertag

Makeup Designer:
Cécile Kretschmar

Music Supervision Assistant:
Duncan Ward

Original Music Composer:
Giuseppe Verdi

Original Story:
Alexandre Dumas fils

Other:
Didier Kersten
Jörg Heiser
Claudia Schreiber

Producer:
Markus Boss
Magdalena Herbst

Production Assistant:
Rika Schildberg

Production Manager:
Heinz-Jürgen Hilgemann

Set Designer:
Johannes Leiacker

Sound:
Klaus-Dieter Hesse
Winfried Christmann
Hendrik Rahn

Sound Supervisor:
Moritz Bergfeld

Stage Director:
Rolando Villazón

Technical Supervisor:
Paul Mertens
Matthias Eberhardt

Theatre Play:
Alexandre Dumas fils

Wardrobe Supervisor:
Connie Herz-Schöffler

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.