A work in constant progress (and occasional regress).
Release Date:
December 6, 2013
Original Title:
47 Ronin
Alternate Titles:
47 Ronin - A Grande Batalha Samurai
47 Ronin 3D
47 Róninů
47 סמוראים
47 로닌
La Leyenda del Samurái: 47 Ronin
浪魂47
Genres:
Action | Drama | Fantasy
Production Companies:
H2F Entertainment
Mid Atlantic Films
Moving Picture Company
Relativity Media
Stuber Pictures
Universal Pictures
Production Countries:
Japan | United Kingdom | United States of America
Ratings / Certifications:
AU: M BE: 14 BR: 14 CZ: 18+ DE: 12 DK: 15 ES: 12 FI: K-12 FR: TP GB: 12 GR: Κ-12 HU: 12 IE: 12A JP: G KR: 15세 이상 관람가 LT: N-13 NL: 12 NO: 15 PL: 16 PT: M/12 RO: 18 RU: 12+ SE: 15 SK: U US: PG-13
Runtime: 119
Kai—an outcast—joins Oishi, the leader of 47 outcast samurai. Together they seek vengeance upon the treacherous overlord who killed their master and banished their kind. To restore honour to their homeland, the warriors embark upon a quest that challenges them with a series of trials that would destroy ordinary warriors.
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Art Department Coordinator:
Karolina Slemer
Jennifer Lewicki
Art Direction:
David Allday
John Chichester
Leslie Tomkins
Stuart Rose
Fay Greene
Robert Cowper
Assistant Art Director:
Gavin Fitch
Guy Bradley
László Szirmai
Gary Jopling
Camera Trainee:
Dan Gamble
Casting:
Priscilla John
Denise Chamian
Ania O'Hare
Chef:
Jamie Kemp
Choreographer:
Olivia Pickford
Cinematography:
John Mathieson
Compositors:
Brian N. Bentley
Conductor:
Andrew Brown
Construction Coordinator:
Zoltán Tóth
Costume Design:
Penny Rose
Costume Supervisor:
Charlotte Finlay
Dialect Coach:
Brian C. Hirono
Bobby White
Dialogue Editor:
Daniel Laurie
Director:
Carl Rinsch
Director of Photography:
John Mathieson
Draughtsman:
Oliver Carroll
Editor:
Stuart Baird
Executive Producer:
Chris Fenton
Walter Hamada
Fight Choreographer:
Peng Zhang
Foley:
Dan O'Connell
Foley Editor:
Nia Hansen
Hairstylist:
Tania Couper
Luca Vannella
Location Coordinator:
Caterina Boselli
Location Manager:
Rudolf András
László Roráriusz
Music Editor:
Julie Pearce
Kenneth Karman
Music Score Producer:
Stephen McLaughlin
Matthias Gohl
Original Music Composer:
Ilan Eshkeri
Other:
Nadia Stacey
Producer:
Eric McLeod
Scott Stuber
Pamela Abdy
Production Design:
Jan Roelfs
Production Supervisor:
Sara Desmond
Property Master:
Graeme Purdy
Scenic Artist:
Rohan Harris
Screenplay:
Hossein Amini
Chris Morgan
Screenstory:
Walter Hamada
Chris Morgan
Sculptor:
Zoltán Kiss
Codrina Spataru
Second Unit Director:
David R. Ellis
Second Unit Director of Photography:
Fraser Taggart
Security:
Craig Cook
Set Costumer:
Ian Foweraker
Philip Goldsworthy
Ildikó Fogt
Rachel Chrisp
Set Decoration:
Elli Griff
Set Designer:
David Doran
A. Todd Holland
Masako Masuda
Suzanna Smith
Kevin Cross
Miranda Diamond
Sound Designer:
Dean Covill
Addison Teague
Sound Re-Recording Mixer:
Kevin O'Connell
Frank A. Montaño
Jon Taylor
Dean Covill
Stunt Coordinator:
Gary Powell
Stunts:
Géza Kovács
Kazuhiko Ozaki
Ryo Tanaka
Yoshimitsu Tada
Kazuyuki Okayama
Masahito Okamoto
Ken Goto
Nobuyuki Obikane
Kôichi Funayama
Hiroki Takano
Peng Zhang
Kenji Sato
Supervising Animator:
Stuart M. Ellis
Supervising Art Director:
Gary Freeman
Supervising Sound Editor:
Tim Nielsen
Transportation Coordinator:
Claudia Kossik
Dean Burtenshaw
VFX Artist:
Erik Classen
Visual Effects:
James Baker
Visual Effects Editor:
Tom Partridge
Tom Woodall
Elise Butt
Visual Effects Producer:
Lena Scanlan
Alain Lalanne
Garv Thorp
Sarah Swick
Visual Effects Supervisor:
Allan Magled
Christian Manz
Justin Denton
Michael Mulholland
Jay Barton
Nicolas Aithadi
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.