A work in constant progress (and occasional regress).
Release Date:
February 21, 1996
Original Title:
The Making of a Hollywood Madam
Alternate Titles:
The Good Doctor: The Paul Fleiss Story
Genres:
Crime | Drama | TV Movie
Production Companies:
Dick Clark Productions
OFS Productions
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 100
The real-life California family doctor -- facing a jail sentence for money laundering and tax evasion -- recalls the events leading to the arrest of his notorious daughter, Hollywood madam Heidi Fleiss.
Associate Producer:
Mark Weiner
Elaine Rogers
Casting:
Donna Dockstader
Costume Design:
Judy B. Swartz
Director:
Michael Switzer
Director of Photography:
Robert Steadman
Editor:
Douglas Ibold
Executive Producer:
Dick Clark
Neil Stearns
First Assistant Director:
Catherine McCabe
Gaffer:
John Bonfield
Hairstylist:
Emanuel Millar
Makeup Artist:
Janeen Schreyer
Music:
Chris Boardman
Producer:
Barry Bernardi
Cleve Landsberg
Production Design:
Daniel A. Lomino
Script Supervisor:
Adell Aldrich
Second Assistant Director:
Peter C. Graupner
Set Decoration:
Linda Allen
Sound Designer:
George R. Groves Jr.
Sound Re-Recording Mixer:
Alan Freedman
Jeremy Hoenack
Sound Supervisor:
Michael Payne
Stunt Coordinator:
Ben Scott
Stunts:
Gwynn Turnbull Weaver
Jeff Danoff
Denise Lynne Roberts
Unit Production Manager:
Cleve Landsberg
Writer:
Karol Ann Hoeffner
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.