A work in constant progress (and occasional regress).
Release Date:
November 8, 2019
Original Title:
Acceleration
Alternate Titles:
Aceleración Máxima
Genres:
Action | Thriller
Production Companies:
7Heaven Productions
CineTel Films
MCMFILMS
Production Countries:
United States of America
Ratings / Certifications:
CA: 18A DE: 16 ES: 16 FR: 16 GB: 15 JP: G
Runtime: 85
After being double crossed by his most trusted operative, a ruthless crime lord takes revenge by kidnapping the her son. Overwhelmed with fear, the operative is given one night to make up for her misdeeds by systematically eliminating his enemies. As the hours rush by, the steaks begin to rise and the darkened city streets turn into a brutal and bloody battle ground.
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Aerial Camera:
Prince Bagdasarian
Jacob Varley
Art Direction:
Priyanka Guterres
Boom Operator:
Brian D. Katz
Eric Rush
Casting:
Natalie Burn
Costume Design:
Toby Bronson
Digital Imaging Technician:
Jane Allison-Fleck
Jason Zeni
Director:
Daniel Zirilli
Michael Merino
Director of Photography:
Jan-Michael Losada
Editor:
Mike Mendez
Electrician:
Ken Whiting
Executive Producer:
Paul Hertzberg
Eric Brenner
First Assistant Director:
Jude S. Walko
Gaffer:
LeRoy Davis III
Paul Salmons
Hair Department Head:
Lexx Staats
Key Costumer:
Kevynn Brewer
Makeup Artist:
Heather Galipo
Maira Gomez
Victoria Payne
Makeup Department Head:
Bianca Appice
Music:
Gregory De Iulio
Producer:
Natalie Burn
Production Accountant:
Amy Prutyan
Production Coordinator:
Melvin Davis
Jessica Neumann
Production Design:
Candi Guterres
Property Master:
Melissa Yu
Script Coordinator:
Sara Dolin
Script Supervisor:
Deborah Goods
Second Unit Cinematographer:
Jose Zambrano Cassella
Sound Recordist:
Rose Bladh
Storyboard Artist:
Lucas Di Medio
Stunt Coordinator:
Arnold Chon
Writer:
Michael Merino
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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