The Curtain Rises (1938) [N/A]

Release Date:
October 6, 1938

Original Title:
Entrée des artistes

Genres:
Comedy | Drama

Production Companies:
Filmsonor
Regina Films

Production Countries:
France

Ratings / Certifications:
 N/A

Runtime: 99

"I was seventeen, I'm not anymore because you are and seventeen is not for everyone at the same time!"

1938, France, Paris, at the Superior Conservatory of Dramatic Art ("Conservatoire Supérieur d'Art Dramatique"). The first-year entrance exams are in full swing. Many applicants, few accepted. Isabelle (Janine Darcey) is one of the few chosen. She joins former students from the second and third years, including François (Claude Dauphin) and Cécilia (Odette Joyeux). They attend the drama class run by Professor Lambertin (Louis Jouvet). The young people, passionate and eager to become comedians, clash in tumultuous love affairs, because by dint of acting, they imagine that life is a farce. François, for example, is in love with Isabelle, who also loves him, but is pursued by Cecilia, his former mistress... "Put art in your life and life in your art!"

Additional information:

The Search Form


Adaptation:
André Cayatte
Marc Allégret

Administration:
Robert Vernay

Assistant Camera:
Ernest Bourreaud
Robert Bontemps

Assistant Director:
Jean Huet
Louis Gendre

Camera Operator:
Ernest Bourreaud
Robert Juillard

Decorator:
Jacques Krauss

Dialogue:
Henri Jeanson

Director:
Marc Allégret

Director of Photography:
Christian Matras
Ernest Bourreaud

Editor:
Yvonne Martin

General Manager:
Lucien Pinoteau

Head Decorator:
Alexandre Trauner

Makeup Artist:
Joseph Mejinsky

Original Music Composer:
Georges Auric

Producer:
Arys Nissoti
Pierre O'Connell

Production Director:
Georges Jouanne

Script:
Madeleine Lefèvre

Set Photographer:
Henri Pecqueux
Roger Kahan

Set Supervisor:
Louis Demasure

Sound Engineer:
Georges Leblond

Writer:
Marc Allégret
André Cayatte

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.