A work in constant progress (and occasional regress).
Release Date:
November 19, 2020
Original Title:
Comment je suis devenu super-héros
Alternate Titles:
Comment je suis devenu superhéros
Cómo me convertí en superhéroe
How I Became a Super Hero
How I Became a Superhero
Jak zostałem superbohaterem
Wie ich ein Superheld wurde
ปริศนาพลังฮีโร่
スーパーヒーローへの道
Genres:
Action | Adventure | Comedy | Science Fiction | Thriller
Production Companies:
Artémis Productions
Shelter Prod
Trésor Films
Warner Bros. Entertainment France
Production Countries:
France
Ratings / Certifications:
BR: 16 FR: TP GB: 15 HU: 16 PL: 13+ RO: 15 SG: NC16
Runtime: 101
Paris 2020. While superheroes have assimilated into the Parisian society, they discover a new drug that gives themselves personal superpowers to mere mortals. Lieutenants Moreau and Schaltzmann are investigating the case with the support of two ex-superheroes, Monte Carlo and Callista. They'll do whatever it takes to dismantle the traffic. But Moreau's past resurfaces, and the investigation becomes more complicated.
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Art Direction:
Alexis McKenzie Main
Dominique Moisan
Associate Producer:
Philippe Logie
Casting:
Sandra Durando
Costume Design:
Maïra Ramedhan Levi
Dialogue Editor:
Guadalupe Cassius
Director:
Douglas Attal
Director of Photography:
Nicolas Loir
Editor:
Francis Vesin
Hairstylist:
Aude Thomas Fidon
Makeup Artist:
Emma Chicotot
Stéphanie Guillon
Original Music Composer:
Adrien Prevost
Producer:
Patrick Quinet
Alain Attal
Emma Javaux
Marie Jardillier
Production Design:
Jean-Philippe Moreaux
Scenario Writer:
Douglas Attal
Charlotte Sanson
Sound Designer:
Pascal Villard
Sound Editor:
Louis Bart
Special Effects Makeup Artist:
Olivier Afonso
Wigmaker:
Virginie Berland
Writer:
Cédric Anger
Douglas Attal
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.