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The Sky Is Everywhere (2022) [PG-13]

Release Date:
February 11, 2022

Original Title:
The Sky Is Everywhere

Alternate Titles:
El cielo está en cualquier lugar
Über mir der Himmel

Genres:
Drama | Music | Romance

Production Companies:
A24
Alice the Who
Di Novi Pictures

Production Countries:
United States of America

Ratings / Certifications:
BR: 14  DE: 12  ES: 12  GR: 12  HU: 16  IE: 12  JP: PG12  NL: 12  PL: 12  PT: M/16  RU: 16+  SG: NC16  US: PG-13 

Runtime: 103

Live fearlessly. Love endlessly.

Overview from TheMovieDB

Lennie is a teen musical prodigy grieving the death of her sister when she finds herself caught between a new guy at school and her sister's devastated boyfriend. Through her vivid imagination and conflicted heart, Lennie navigates first love and first loss.

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Performers

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Production

Art Direction:
Cat Navarro

Associate Producer:
Joe Nankin
Sabrina Parra

Costume Design:
Christopher Peterson

Costume Supervisor:
Nancy Jarzynko

Director:
Josephine Decker

Director of Photography:
Ava Berkofsky

Editor:
Laura Zempel

Executive In Charge Of Production:
Savey Cathey

Executive Producer:
Joshua Bachove
Jandy Nelson

Makeup Department Head:
Josie Rodriguez

Novel:
Jandy Nelson

Original Music Composer:
Caroline Shaw

Producer:
Allison Rose Carter
Denise Di Novi
Margaret French-Isaac
Josephine Decker

Production Design:
Grace Yun

Screenplay:
Jandy Nelson

Set Costumer:
Valerie Emmi

Set Decoration:
Alex Brandenburg

Set Decoration Buyer:
Natalia Poltoratzky

Sound Designer:
Jaime Sainz Cuevas

Sound Effects Editor:
Marlene Zermeño

Stunt Coordinator:
Timothy Eulich

Thanks:
Martin Scorsese

Visual Effects Supervisor:
David Lebensfeld
Grant Miller

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.