A work in constant progress (and occasional regress).
Release Date:
October 11, 2019
Original Title:
Erasing His Dark Past
Alternate Titles:
Erasing His Past
Genres:
TV Movie | Thriller
Production Countries:
United States of America
Ratings / Certifications:
BR: 16
Runtime: 84
Karen Miller has it all. The perfect marriage, the perfect husband, the perfect life. But when her husband disappears on a business trip and is presumed dead, Karen's perfect life falls apart. She begins to realize that her perfect husband was not all he seemed.
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"B" Camera Operator:
Marcus Friedlander
Art Department Assistant:
Vicky Ruelas
Art Direction:
Christopher M. Miller
Best Boy Grip:
David Blanco
Colorist:
Mila Patriki
Costume Designer:
Jenna Smolina
Director:
Jared Cohn
Director of Photography:
Ben Demaree
Editor:
Chris Kaiser
Executive Producer:
Fernando Szew
Marguerite Henry
Jason Cherubini
Alexander Ferguson
First Assistant Camera:
Rob Snyder
First Assistant Director:
James Mahoney
Gaffer:
Chris Bond
Graphic Designer:
Sanford Worth
Key Grip:
Enrique Espinoza Jr.
Alex Niknejad
Line Producer:
Kris Black
Location Manager:
Kris Black
Makeup Artist:
Kalida Ghazar
Alexis Switzer
Makeup Department Head:
Ching Tseng
Music:
Aaron Symonds
Online Editor:
Cameron Smith
Producer:
Richard Switzer
Production Accountant:
Jason Cherubini
Production Design:
Adam Assad
Second Assistant Camera:
Jesse Einhorn
Avery Ramirez
Second Assistant Director:
Angel Jimenez Jr.
Sound Mixer:
Eric Tormey
Sound Re-Recording Mixer:
Bret Killoran
Still Photographer:
Kai Richards
Supervising Sound Editor:
Bret Killoran
Writer:
John Burd
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.