A work in constant progress (and occasional regress).
Release Date:
August 19, 2021
Original Title:
El perro que no calla
Genres:
Drama
Production Companies:
Cine Argentino
INCAA
Laura Cine
Mecenazgo Cultural
Oh My Gomez! Films
Universidad del Cine
Production Countries:
Argentina
Ratings / Certifications:
BE: 12 NL: AL
Runtime: 73
Sebastian, a man in his thirties, works a series of temporary jobs and embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.
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Art Direction:
Mariela Rípodas
Assistant Director:
Gonzalo Bazillo
Assistant Editor:
Constanza Curia
Boom Operator:
Pipi Martínez
Camera Operator:
Gustavo Biazzi
Fernando Blanc
Marcelo Lavintman
Joaquín Neira
Guillermo Nieto
Choreographer:
Manuel Attwell
Co-Producer:
Ramiro Pavón
Pablo Ingercher Casas
Color Grading:
Roberto Zambrino
Costume Assistant:
Layla Ahmed
Costume Design:
Pilar González
Juan Manuel Sanza
Director:
Ana Katz
Director of Photography:
Gustavo Biazzi
Guillermo Nieto
Fernando Blanc
Editor:
Andrés Tambornino
Executive Producer:
Laura Huberman
First Assistant Director:
Lucia Bonells
Focus Puller:
Mercedes Laborde
Gaffer:
Juan Mazzoni
Key Grip:
Agustín Ávalos
Location Manager:
Valeria Perez Delgado
Fabiana Pucci
Makeup & Hair:
Dolores Giménez
Daniela Deglise
Original Music Composer:
Nicolás Villamil
Post Production Coordinator:
Josefina Castillo Carrillo
Producer:
Laura Huberman
Ana Katz
Production Assistant:
Camila Albertocchi
Production Manager:
Jimena Blanco
Props:
Mario Santillán
Second Assistant Camera:
Lautaro Panelo
Set Decoration:
Andrea Benítez
Sound Designer:
Jesica Suárez
Sound Mixer:
Jesica Suárez
Sound Recordist:
Nicolás Payueta
Still Photographer:
Florencia Trincheri
Title Designer:
Nicolás Risso
Visual Effects:
Gustavo Gorzalczany
Writer:
Ana Katz
Gonzalo Delgado
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.