A work in constant progress (and occasional regress).
Release Date:
July 28, 2019
Original Title:
Olafur Eliasson: Miracles of Rare Device
Genres:
Documentary
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 62
Olafur Eliasson has been pushing the limits of the sublime and the spectacular in his art for almost 30 years. From his monumental installation, The Weather Project, in Tate Modern's Turbine Hall in 2003 to his recent interventions in climate change and global migration, his is an art which strives to change the world every step of the way. In 2019, the Danish-Icelandic artist returns to Tate Modern with his landmark exhibition, In Real Life, surveying the breadth of his career from his beginnings as an art student in Copenhagen through to the latest pieces created in his vast studio laboratory in Berlin. Much of his work is shaped by his response to his parents' home country of Iceland and the interplay of water and light showcased in its natural phenomena.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.