A work in constant progress (and occasional regress).
Release Date:
December 5, 2019
Original Title:
Ainda Temos a Imensidão da Noite
Genres:
Drama
Production Companies:
400 Filmes
Autentika Films
Cinezebra
Dezenove Som e Imagem
Production Countries:
Brazil | Germany
Ratings / Certifications:
BR: 16 IE: 18
Runtime: 98
Karen sings and plays the trumpet in a vigorous rock band in Brasilia, but no one there is interested in it. At 27, she has lost hope in the city her grandfather helped to build. She follows in the footsteps of her ex-partner in the band, Artur, and tries her luck in Berlin.
Art Direction:
Valéria Verba
Tamo Kunz
Assistant Camera:
Flávio Chacal Geromel
Camera Operator:
André Carvalheira
Director:
Gustavo Galvão
Director of Photography:
André Carvalheira
Editor:
Marcius Barbieri
Executive Producer:
Maria Ionescu
Peter Ketnath
Daniela Marinho
Music:
Nicolau Andrade
Munha da 7
Music Producer:
Lee Ranaldo
Producer:
Sara Silveira
Gustavo Galvão
Production Director:
Kátia Oliva
Tommy Niessner
Screenplay:
Barbie Heusinger
Cristiane Oliveira
Gustavo Galvão
Script Consultant:
Karim Aïnouz
Sound:
Marcos Manna
Sound Assistant:
Hudson Vasconcelos
Sound Designer:
Ricardo Reis
Sound Mixer:
Paulo Gama
Sound Supervisor:
Miriam Biderman
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.