A work in constant progress (and occasional regress).
Release Date:
March 9, 1977
Original Title:
L'une chante, l'autre pas
Alternate Titles:
Uma Canta, a Outra Não
Una canta, la otra no
노래하는 여자, 노래하지 않는 여자
Genres:
Drama | Music
Production Companies:
Ciné-Tamaris
INA
INLC
Paradise
SFP
Production Countries:
Belgium | France | Venezuela
Ratings / Certifications:
FR: U|12 HU: 16
Runtime: 122
The intertwined lives of two women in 1970s France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain an abortion after a third pregnancy which she cannot afford. They lose contact but meet again ten years later. Pomme has become an unconventional singer, Suzanne a serious community worker - despite the contrast they remain friends and share in the various dramas of each others' lives, in the process affirming their different female identities.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Assistant Camera:
Elizabeth Prouvost
Nurith Aviv
Assistant Director:
Jean-Claude Mallet
Assistant Editor:
Françoise Thévenot
Choreographer:
Graziella Martinez
Costume Design:
Franckie Diago
Director:
Agnès Varda
Director of Photography:
Charles Van Damme
Editor:
Joële Van Effenterre
Lyricist:
Agnès Varda
Makeup Artist:
Tamani Berkani
Music:
François Wertheimer
Production Design:
Franckie Diago
Production Secretary:
Marie-Noëlle Hauville
Script Supervisor:
Alice Chazelles
Sound:
Henri Morelle
Sound Assistant:
Jacques Bissières
Jesús Navarro
François Gibert
Writer:
Agnès Varda
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.