#Like (2019) [NR]

Release Date:
March 9, 2019

Original Title:
#Like

Alternate Titles:
Hash Like

Genres:
Thriller

Production Companies:
DAME WORK Inc.
Giant Pictures

Production Countries:
United States of America

Ratings / Certifications:
GB: 18  US: NR 

Runtime: 93

The story of a girl who writes her own ending...

Woodstock teen, Rosie, mourning the first anniversary of her younger sister's death discovers the mysterious man who sexploited and bullied her sister to commit suicide is back on-line trolling for new victims. After the authorities refuse to get involved she finds a darkness she never knew she had when she takes justice into her own hands.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Assistant Editor:
Jordan McAfee

Associate Producer:
Jeff Haber
Wendell Hanes

Casting Director:
Mellicent Dyane

Colorist:
Paul Harrison

Costumer:
Keely Bembry

Director:
Sarah Pirozek

Director of Photography:
Brian Jackson

Editor:
Matt Yaple

Executive Producer:
Sarah Pirozek

First Assistant Camera:
John Larson

First Assistant Director:
laura wheeler

Key Grip:
Eric Phelan

Makeup Artist:
Sam Bader

Music Supervisor:
Kevin Moyer

Original Music Composer:
Ariel Marx

Producer:
Chris Davis
Marc Menchaca
Sarah Pirozek
Chris Warner

Production Assistant:
Ian Tomasch
Willis Williams

Production Design:
Sam Bader

Second Assistant Director:
Michael Reichman

Sound:
Mano Guha

Unit Production Manager:
Michael Reichman

Visual Effects:
Brandon Danowski

Writer:
Sarah Pirozek

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.