A work in constant progress (and occasional regress).
Release Date:
November 4, 2010
Original Title:
Die kommenden Tage
Alternate Titles:
The Days to Come
Genres:
Drama | Science Fiction
Production Companies:
ARD
Badlands Company
Dream Team Filmproduction
Production Countries:
Germany
Ratings / Certifications:
DE: 12
Runtime: 130
Welcome to 2020: The European Union has collapsed following the fourth Gulf War and massive barricades keep illegal immigrants out of cities that are barely functioning. In the middle of this highly volatile environment is the family of Walter Kuper, an energy conglomerate executive. Walter’s daughter, Cecilia, has joined the Black Storm terrorist group. Her sister Laura must choose between motherhood and the man she loves; their brother Philip has been called into fight for Germany in a hopeless war to secure the last remaining oil fields. Starring leading actors Daniel Brühl, Johanna Wokalek and Jürgen Vogel, "The Days to Come" asks provocative questions about the current state of things as it depicts personal and political realities in a scarily believable near–future.
Casting:
Nessie Nesslauer
Costume Design:
Esther Walz
Director:
Lars Kraume
Director of Photography:
Sonja Rom
Editor:
Barbara Gies
Makeup Artist:
Antje Huchel
Makeup Department Head:
René Jordan
Original Music Composer:
Julian Maas
Christoph Kaiser
Producer:
Katrin Schlösser
Frank Döhmann
Lars Kraume
Jürgen Vogel
Matthias Glasner
Thomas Peter Friedl
Production Design:
Irina Kromayer
Production Manager:
Rolf Schleitzer
Screenplay:
Lars Kraume
Supervising Sound Editor:
Stefan Soltau
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.