The Usual Suspects (1995) [R]

Release Date:
July 19, 1995

Original Title:
The Usual Suspects

Alternate Titles:
De misstänkta
Epäillyt
Podozriví
Sospechosos habituales
Обычные подозреваемые
Підозрілі особи
ユージュアル・サスペクツ:1995
刺激驚爆點
嫌疑惯犯
普通嫌疑犯
非常嫌疑犯
유주얼 서스펙트

Genres:
Crime | Drama | Thriller

Production Companies:
Bad Hat Harry Productions
Blue Parrot Productions

Production Countries:
United States of America

Ratings / Certifications:
AT: 16  AU: MA15+  BR: 16  CZ: 15+  DE: 16  DK: 15  ES: 18  FI: K-12  FR: TP  GB: 18  GR: 16  HU: 16  IE: 18  KR: 18  MX: B  NL: 12  PT: M/16  US: R 

Runtime: 106

Five criminals. One line up. No coincidence.

Held in an L.A. interrogation room, Verbal Kint attempts to convince the feds that a mythic crime lord, Keyser Soze, not only exists, but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor – leaving few survivors. Verbal lures his interrogators with an incredible story of the crime lord's almost supernatural prowess.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

American Film Institute (AFI)

2003
#48
100 Years: 100 HEROES & VILLAINS
50 Greatest Villains
“Verbal Kint”
2008
#10
Top 10: MYSTERY
10 Greatest MYSTERY Films of All Time

ADR Coordinator:
Leigh French

ADR Editor:
Donald Sylvester

ADR Mixer:
Charleen Richards-Steeves
Thomas J. O'Connell

ADR Recordist:
Greg Steele
Rick Canelli

ADR Supervisor:
George Berndt

Additional Photography:
Bruce Douglas Johnson

Art Department Coordinator:
Mark Meloccaro

Art Direction:
David Lazan

Assistant Editor:
Roger Fenton

Assistant Property Master:
Angel Acosta

Assistant Sound Editor:
Tricia Linklater
Paul Parsons

Best Boy Electric:
David Gamerman

Best Boy Grip:
Scott Patten

Boom Operator:
Craig Woods

Casting:
Francine Maisler

Casting Associate:
Kathy Driscoll-Mohler
Lisa Miller Katz

Co-Producer:
Kenneth Kokin

Color Timer:
Gloria Kaiser

Costume Design:
Louise Mingenbach

Costume Supervisor:
Lori Eskowitz

Craft Service:
Ellen Francisco

Dialogue Editor:
Sukey Fontelieu
David Spence

Director:
Bryan Singer

Director of Photography:
Newton Thomas Sigel

Dolly Grip:
Bruce Hamme

Driver:
Eugene Farrington
Jody Bingenheimer
Sheri Cosentino
Antonio Franchi
Angel DeSanti
William Smallwood

Editor:
Peter S. Elliot
John Ottman

Electrician:
Craig A. Brink
Jim Frohna
Michael Stewart Maahs
Jerry L. Mandley

Executive Producer:
François Duplat
Hans Brockmann
Art Horan
Robert Jones

Extras Casting:
Judie Fixler

First Assistant "B" Camera:
Baird Steptoe
Michael A. FauntLeRoy Sr.

First Assistant Camera:
Robert C. Carlson

First Assistant Director:
James D. Deck

Foley Artist:
Claudette Cucci
John T. Cucci

Foley Editor:
Jonathan Klein

Foley Recordist:
Don Givens
Tami Treadwell

Foley Supervisor:
Mark Pappas

Gaffer:
Reinhart Peschke

Grip:
Kevin Dean
Shawn Ensign
Ross Guidici
Richard Maxey
William J. McDevitt

Key Grip:
Joseph Dianda

Key Hair Stylist:
Barbara Olvera

Location Manager:
Chanel Salzer
Ashley Friedman

Makeup Department Head:
Michelle Bühler

Makeup Effects:
David P. Barton

Marine Coordinator:
Bertram McCann

Music Editor:
Lia Vollack

Negative Cutter:
Mary Beth Smith

Orchestrator:
Larry Groupé

Original Music Composer:
John Ottman

Post Production Supervisor:
Michael Tinger

Producer:
Bryan Singer
Michael McDonnell

Production Design:
Howard Cummings

Production Supervisor:
Vicky Herman

Property Master:
Tony Bonaventura

Script Supervisor:
Wendy Dallas
Haley McLane

Second Assistant Camera:
Richard Sobin

Second Assistant Director:
Alan Steinman

Second Second Assistant Director:
Athena Alexander

Second Unit Director:
Kenneth Kokin

Second Unit Director of Photography:
P. Scott Sakamoto
Eric J. Goldstein

Set Costumer:
Tara Spurlock

Set Decoration:
Sara Andrews

Sound Effects Editor:
Karen G. Wilson
Richard Burton
Nash Michael

Sound Mixer:
Geoffrey Patterson

Sound Re-Recording Mixer:
Robert J. Litt
Greg P. Russell
Elliot Tyson

Sound Recordist:
Jack Keller
David Behle

Special Effects Coordinator:
Roy L. Downey

Steadicam Operator:
Chris Squires
P. Scott Sakamoto

Still Photographer:
Linda R. Chen
Caroline Burton
John Johnson

Storyboard:
John Coven

Storyboard Artist:
John Coven

Stunt Coordinator:
Gary Jensen

Stunts:
Billy Bates
Diamond Farnsworth
Alex Gaona
Fernando Celis
John Gillespie
Michael Carr
Pat Millicano
Max Daniels
Joe Dunne
Harry Wowchuk
John Casino
Ashley Casino
Bob Havice
Billy Judkins

Supervising Sound Editor:
Chuck Michael

Transportation Captain:
Joe Cosentino
Ken Plumlee

Transportation Co-Captain:
Joseph Aroesti

Transportation Coordinator:
Geno Hart

Unit Publicist:
David Pollack

Writer:
Christopher McQuarrie

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.