A work in constant progress (and occasional regress).
Release Date:
September 24, 2009
Original Title:
2033
Genres:
Science Fiction | Thriller
Production Companies:
Eficine 226
Filmica Villaparaiso
La Casa de Cine
Production Countries:
Mexico
Ratings / Certifications:
DE: 16
Runtime: 92
In 2033, Mexico City is a hot, mechanical and chaotic megacity ruled by the military and a tyrannical government. It is an oppressed society with its religious faith and liberty of expression stolen. Pablo, the main character, is a young finantial yuppie that gets shelter in drugs and alcohol. He leaves his privileged life in order to help the unprotected and destroy the system that controls the population.
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Accountant:
Julia González López
Israel Marín
Mónica Torres
Accounting Clerk Assistant:
Galaguer Fitz
Jorge Miñon
Animal Wrangler:
Miguel Gurza
Art Department Assistant:
Cecilia Llanes
Art Department Coordinator:
Citlalli Torres
Art Direction:
Daniel Hernández
Assistant Decorator:
Roberto Pizarro
Guillermo Soriano
Assistant Editor:
Martín Fuentes
Assistant Production Coordinator:
Karina Salazar
Boom Operator:
Guillermo Bermúdez
CGI Supervisor:
Gerardo Padilla
Eduardo Aguirre Ambriz
Casting:
Carla Hool
Casting Assistant:
José Antonio Ferrer
Casting Associate:
Ricardo Hernández Oseguera
Armando Guerrero
Casting Coordinator:
Alicia Fernández
Chef:
Susana Hernández
Comic Book:
José Vicente Torres
Costume Assistant:
Ernesto García
Edgar Neri
Costume Coordinator:
Rossana Murguía
Costume Designer:
Lupita Peckinpah
Costume Illustrator:
Hilda Martínez Ampudia
Costume Mistress:
Jaime Ortiz
Director:
Francisco Laresgoiti
Director of Photography:
Luis David Sansans
Documentation & Support:
Octavio Maya
Dolly Grip:
Jesús Muñoz
Editor:
Pedro G. García
Carlos Puente
Editorial Services:
Pedro G. García
Electrician:
Victor Acosta
Executive Producer:
Francisco Laresgoiti
Jordi Mariscal
First Assistant Camera:
Noé Muñoz
First Assistant Director:
Yvette Gurza
Gaffer:
Carlos Sánchez
Hairstylist:
Irma Yolanda
Loader:
Omar Muñoz
Location Assistant:
Lucia Anduaga
Ruben Garay Araujo
Alejandro Rivas
Location Manager:
Mauricio Rodríguez
Machinist:
Humberto Sánchez Lira
Makeup & Hair Assistant:
Karina Rodríguez
Julissa Calderon
Juan Francisco Mendez
Jorge Fuentes
Erika Romo
Maribel Romo
Roberto Ortiz
Paulina Rodríguez
Raúl Muñoz
Makeup Department Head:
Francisco Jaramillo
Makeup Designer:
Antonio Garfias
Matte Painter:
Tabata Muciño Mena
Music:
Tomás Barreiro
Daniel Hidalgo
Music Supervisor:
Daniel Hidalgo
Photo Retouching:
Carlos Somonte
Post Producer:
Eloy Gutiérrez
Producer:
Yvette Gurza
Production Accountant:
Norma Ramos
Production Assistant:
Jaime Rivera
Aarón I. Campos
Production Coordinator:
Angela Illan
Production Design:
Marec Fritzinger
Production Designer:
Francisco Laresgoiti
Production Manager:
Juan Carlos Garrido
Karla Bukantz
Rotoscoping Artist:
Bernardo Ramírez Toledo
Screenplay:
Jordi Mariscal
Second Assistant Camera:
Fernando Sánchez
Second Assistant Director:
Lloret Gironés
Second Unit:
Jose Gutierrez
Juan Pablo Ojeda
Second Unit Director of Photography:
Carlos Hidalgo
Sequence Lead:
Mauri Carbajal
Set Decoration:
Lorelay Ortiz
Mily Moreno
Set Designer:
Eliu González Gómez
Set Medic:
Jose Luis Palomino
Set Production Assistant:
Mauricio Rodríguez
Sound Designer:
Daniel Hidalgo
Gabriel Coll Barberis
Sound Mixer:
Carlos Solis
Sound Recordist:
Santiago Arroyo
Gabriel Coll Barberis
Special Effects Assistant:
Rafael Santana
Special Effects Coordinator:
Daniel Cordero
Steadycam:
Luis David Sansans
Still Photographer:
Claudia Abuali
Storyboard Artist:
David Castillo
Swing:
José Guadalupe Ortiz
Nancy Vera Mendoza
Omar Conde
Martin Martinez
Ramón Guerrero
Thanks:
Kuno Becker
Unit Manager:
Enrique Granados
Utility Stunts:
Jorge González
VFX Production Coordinator:
Carlos Gutiérrez Medrano
VFX Supervisor:
Rubén Pérez Medina
Video Assist Operator:
Adán Rodríguez
Alejandro Jiménez Bouret
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.