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Flora & Ulysses (2021) [PG]

Release Date:
February 19, 2021

Original Title:
Flora & Ulysses

Alternate Titles:
Flora and Ulysses
Flora und Ulysses
弗罗拉与松鼠侠
弗羅拉與松鼠俠

Genres:
Adventure | Comedy | Family | Fantasy

Production Companies:
Netter Productions
Walt Disney Pictures

Production Countries:
United States of America

Ratings / Certifications:
AT: 12  BR: L  DE: 6  ES: APTA  FR: TP  IE: PG  JP: PG12  KR: 전체관람가  NL: 6  PL: 12  PR: PG  US: PG 

Runtime: 91

No tights. No cape. No problem.

Overview from TheMovieDB

When Flora rescues a squirrel she names Ulysses, she is amazed to discover he possesses unique superhero powers, which take them on an adventure of humorous complications that ultimately change Flora's life--and her outlook--forever.

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Performers

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Production

Animation Supervisor:
Thiago Lima Martins
Laurent Laban

Art Direction:
Michael Diner
Gwendolyn Margetson

Assistant Makeup Artist:
Joanna Mireau

Casting Director:
Emily Schweber

Costume Design:
Mona May

Director:
Lena Khan

Director of Photography:
Andrew Dunn

Editor:
Jamie Gross

Executive Music Producer:
Zachary Dawes

Executive Producer:
Katterli Frauenfelder

Hair Department Head:
Sanna Seppanen

Makeup Department Head:
Connie Parker

Novel:
Kate DiCamillo

Original Music Composer:
Jake Monaco

Post Production Supervisor:
Leslie Rodier

Producer:
Gil Netter

Production Design:
Michael Fitzgerald

Screenplay:
Brad Copeland

Set Decoration:
Zoe Jirik

Set Designer:
Andrew Li

Sound Designer:
Aaron Glascock

Sound Mixer:
Mark Noda

Sound Supervisor:
Aaron Glascock

Special Effects Coordinator:
Tony Lazarowich

Stunt Coordinator:
Owen Walstrom

Stunts:
Cassandra Ebner

Supervising Music Editor:
Jon Mooney

VFX Artist:
Peter Steffan

VFX Editor:
Matt Todaro
Therese Skundberg Fidje

VFX Supervisor:
Nicolas Chevallier
Bryan Godwin
William Barkus

Visual Effects Producer:
David Feinsilber
Massimo Meo
Tyler Marino

Visual Effects Supervisor:
Daryl Sawchuk

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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