Boy Gets Eaten (2018) [N/A]

Release Date:
August 21, 2018

Original Title:
Boy Gets Eaten

Genres:
Horror

Production Companies:
Den Norske Filmskolen

Production Countries:
Norway

Ratings / Certifications:
 N/A

Runtime: 25

For some boys, sex is a nightmare.

A boy is pressured to lose his virginity, and now his childhood trauma will no longer be ignored.

Additional information:

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Art Direction:
Magda Hanzl

Boom Operator:
Thomas Pape

Carpenter:
Joseph Voigt

Cinematography:
Øyvind Svanes Lunde

Costumer:
Tyyne-Nikoline Laakso Antonsen

Digital Imaging Technician:
Kevin Andreas Smilden

Director:
Sebastian Lagerkvist

Editor:
Brynjar Lien Aune

First Assistant Camera:
Jonathan Bjerstedt

First Assistant Director:
Rebecka Cutic

Foley Artist:
Yvonne Stenberg

Foley Recordist:
Therese Næss Diesen

Gaffer:
Haakon Laastad

Grip:
Isak Jensen
Lars Andersen
Daniel Bredrup Gjerde

Lighting Technician:
Vebjørn Rakvaag

Makeup Artist:
Tyyne-Nikoline Laakso Antonsen

Music:
Øyvind Blikstad

Producer:
Grunde Tveiten

Production Assistant:
Selma Knudsen
Aleksander Dahl

Production Design:
Kristian Lahn Vestby

Production Manager:
Martha A. Solli

Property Master:
Asta Brandt

Second Assistant Director:
Halfdan Gjerdrum

Second Assistant Sound:
Frederik Lehmann

Sound:
Matias Frøystad

Sound Mixer:
Tormod Ringnes

Special Effects Makeup Artist:
Ida Astero Welle

Still Photographer:
Kevin Andreas Smilden

Stunt Coordinator:
Deni Jordan

Stunt Driver:
Tommy Robert Nielsen

Stunts:
Deni Jordan

Visual Effects:
Jacob Thorndahl
Simen Tystad Tunold

Visual Effects Supervisor:
Ruben André Lorås

Writer:
Caroline B. Arnesen

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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