A work in constant progress (and occasional regress).
Release Date:
January 4, 2010
Original Title:
Re-Cut
Genres:
Horror | Thriller
Production Companies:
Fritz Manger Productions
National Picture Show
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 80
When twin girls are found dead in their family’s barn, reality star turned TV-reporter Meredith Phillips and her de-facto camera crew are dispatched to rural Wisconsin to investigate the gruesome deaths. In their relentless drive to break the story, the reporters become entangled in a deadly mystery and uncover the small town’s shocking secret. Edited together from the crew’s multiple cameras, the film documents their struggle to survive the most terrifying night of their lives and becomes the only evidence of a crime too horrific to imagine.
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ADR Mixer:
John Guentner
Additional Editor:
Josh Rifkin
Camera Operator:
Mikey Jechort
Casting:
Stacey Pianko
Orly Sitowitz
Costume Design:
Jennifer L. Beck
Dialogue Editor:
Craig Polding
Director:
Fritz Manger
Director of Photography:
Adam Silver
Editor:
Brian Brinkman
Bob Allen
Foley Artist:
Sebastian Sheehan Visconti
Foley Mixer:
John Guentner
Gaffer:
Victor Zorba
Grip:
Andrew Nitzke
Key Costumer:
Amy Lynn Zwart
Music Supervisor:
Max Osswald
Producer:
Max Osswald
Adam Silver
Jonathan Haug
Dylan Manger
Fritz Manger
Production Assistant:
Thomas Deming-Henes
Production Design:
Jasmine Ballou Jones
Production Manager:
Payton Dunham
Script Supervisor:
Andrew Cesana
Sound Editor:
Duncan Mathieson
Sound Effects Editor:
Rickley W. Dumm
Sound Re-Recording Mixer:
Tom Marks
Stunt Coordinator:
Tony Snegoff
Supervising Sound Editor:
Kunal Rajan
Writer:
Fritz Manger
Dylan Manger
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.