801 (2019) [NR]

Featuring:
Maren Abercrombie, Mark Abercrombie, Hannah Fralick

Written by:
Preston Langlois
Kirby Saxton

Directed by:
Kirby Saxton


Release Date:
May 29, 2019

Original Title:
801

Genres:
Comedy

Production Companies:
Movies International

Production Countries:
United States of America

Ratings / Certifications:
US: NR 

Runtime: 88

THE HATERS WILL HOLD YOU PRISONER. RAP WILL SET YOU FREE.

A white rapper who goes by the name Shawshank, living in Salt Lake City, Utah, goes about writing and recording his first full length album, Redemption, a tribute to the streets of SLC.

801 is a Mockumentary in which filmmakers from the fictional "Utah Community College" follow around a local young aspiring Rap artist who goes by the moniker "Shawshank". The film "documents" Shawshank's attempt to create his first album. He struggles in his efforts to seek inspiration from famous rappers and illicit drugs and quickly becomes frustrated by his failures, which he blames on all the "haters" in his life. However, when the "film crew" suggest he should search his hometown for inspiration, Shawshank goes on a journey of discovery about Salt Lake City (home to the 801 area code) and the Mormon culture which is embedded therein. Ultimately, Shawshank almost learns about himself and his own abilities as an artist while he searches for redemption.

Additional information:

The Search Form


Rankings and Honors

801 (2019) on IMDb

Director:
Kirby Saxton

Director of Photography:
Michael Davies

Editor:
Kirby Saxton

Executive Producer:
Gaby Saxton
Will Saxton

Producer:
Kaden Fralick

Story:
Preston Langlois
Kirby Saxton

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.