A work in constant progress (and occasional regress).
Release Date:
April 2, 1968
Original Title:
2001: A Space Odyssey
Alternate Titles:
2001 l'Odyssée de l'espace
2001 - Odyssee im Weltraum
2001 스페이스 오디세이
2001: A Space Odyssey - Extended Edition
2001: Avaruusseikkailu
2001: Een Zwerftocht in de Ruimte
2001: Odisea del Espacio
2001: Odissea nello spazio
2001: Odyseja kosmiczna
2001: Ruimte Odyssee
2001: Uma Odisséia no Espaço
2001: Uzay Yolu Macerası
2001: Vesmírná Odysea
2001: Космическа одисея
2001: Одисеја у свемиру
2001: 스페이스 오디세이
2001年宇宙の旅:1968
How the Solar System Was Won
Journey Beyond the Stars
Two Thousand and One: A Space Odyssey
终极之旅
Genres:
Adventure | Mystery | Science Fiction
Production Companies:
Kubrick Productions
Metro-Goldwyn-Mayer
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: G BR: L CA: PG CH: 12 DE: 12 DK: 7 ES: 16 FI: K-7 FR: TP GB: U|12 GR: 13 HU: 12 IE: G IT: T JP: G KR: 12 MX: A|B-15 NL: 6 NO: 15 PL: AL PT: M/12|M/14 RO: 12 SE: 11|15 SK: 12 US: G
Runtime: 149
Humanity finds a mysterious object buried beneath the lunar surface and sets off to find its origins with the help of HAL 9000, the world's most advanced super computer.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
1998 #22 |
100 Years: 100 MOVIES
100 Greatest American Movies Of All Time |
2001 #40 |
100 Years: 100 THRILLS
100 Most Thrilling American Films |
2003 #13 |
100 Years: 100 HEROES & VILLAINS
50 Greatest Villains “HAL 9000” |
2005 #78 |
100 Years: 100 MOVIE QUOTES
100 Greatest Movie Quotes Of All Time “Open the pod bay doors, please, HAL.” |
2006 #47 |
100 Years: 100 CHEERS
100 Most Inspiring Films Of All Time |
2007 #15 |
100 Years: 100 MOVIES — 10TH ANNIVERSARY EDITION
100 Greatest American Films Of All Time |
2008 #1 |
Top 10: SCI-FI
10 Greatest SCI-FI Films of All Time |
1982 #12 |
Critics' Top 10 Poll
Greatest Films of All Time |
1992 #10 |
Critics' Top 10 Poll
Greatest Films of All Time |
2002 #7 |
Critics' Top 10 Poll
Greatest Films of All Time |
2012 #6 |
Critics' Top 100 Poll
Greatest Films of All Time |
2012 #2 |
Directors' Top 100 Poll
Greatest Films of All Time |
Additional Photography:
John Alcott
Art Direction:
John Hoesli
Assistant Camera:
George Watts
Camera Operator:
Kelvin Pike
Casting:
James Liggat
Clapper Loader:
David Wynn-Jones
Construction Coordinator:
Dick Frift
Director:
Stanley Kubrick
Director of Photography:
Geoffrey Unsworth
Editor:
Ray Lovejoy
Editorial Staff:
David de Wilde
First Assistant Director:
Derek Cracknell
Makeup Artist:
Graham Freeborn
Stuart Freeborn
Novel:
Arthur C. Clarke
Producer:
Victor Lyndon
Stanley Kubrick
Production Design:
Anthony Masters
Ernest Archer
Harry Lange
Screenplay:
Arthur C. Clarke
Stanley Kubrick
Set Decoration:
Robert Cartwright
Sound Designer:
Malcolm Stewart
Sound Editor:
Winston Ryder
Sound Supervisor:
A.W. Watkins
Sound mixer:
H.L. Bird
Special Effects:
Les Bowie
Brian Johnson
Stunt Coordinator:
John Francis
Stunts:
Bobby Clark
Visual Effects:
Stanley Kubrick
Douglas Trumbull
Wardrobe Supervisor:
Mary Gibson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.