A work in constant progress (and occasional regress).
Release Date:
June 4, 1992
Original Title:
Stepfather 3
Alternate Titles:
El padrastro III: Un enemigo entre nosotros
In casa con il nemico
Stepfather 3
Stepfather 3 - Vatertag
Stepfather 3: Father's Day
Stepfather III - Vatertag
Genres:
Horror | TV Movie | Thriller
Production Companies:
ITC Entertainment
Trimark Pictures
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
DE: 18 US: R
Runtime: 110
After escaping a Puget Sound institution, "Stepfather" Gene Clifford alters his appearance with plastic surgery and takes on another new identity: Keith Grant. Moving to Deer View, California, Keith falls for a divorced school principal, arousing the suspicions of her wheelchair-bound, computer-savvy son.
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"B" Camera Operator:
Michael E. Little
ADR Editor:
Craig A. Dellinger
ADR Mixer:
Lee Tinkham
Art Department Assistant:
Mimi Verbist Bashford
Art Direction:
Laurie Scott
Assistant Editor:
Tim Boettcher
Assistant Makeup Artist:
Francine Steadman
Assistant Production Coordinator:
Shelly Strong
Assistant Property Master:
Francesca M. Urbini
Diane Spahn
Assistant Set Decoration:
Anthony Bashford
Assistant Sound Editor:
John Kestler
Stephen Zipper
Best Boy Electric:
George A. Hock
Best Boy Grip:
Juan M. García
Boom Operator:
Kevin Kubota
Camera Loader:
Tom Ladwig
Camera Operator:
Alan Caso
Bill O'Drobinak
Casting:
Lindsay Chag
Casting Assistant:
Gail Goldberg
Characters:
Carolyn Lefcourt
Brian Garfield
Donald E. Westlake
Color Timer:
Jim Passon
Construction Coordinator:
Craig W. O'Rourke
Costume Assistant:
Rachael Bailey
Costume Design:
Judie C. Champion
Costume Set Supervisor:
Dennis McCarthy
Costume Supervisor:
'Chickie' Wing
Craft Service:
Garry E. Gant
Director:
Guy Magar
Director of Photography:
Alan Caso
Dolly Grip:
Michael Gulbin
Dean Jackson
Editor:
Patrick Gregston
Electrician:
Marek Bojsza
Michael Mims
Roy Gittens
Dan Kerns
First Assistant "B" Camera:
Linda Morgenstern
First Assistant Camera:
Robert E. Stuard
First Assistant Director:
Tom Blank
Foley:
Debra O'Connor
James Bailey
Foley Mixer:
Lee Tinkham
Gaffer:
Rick A. West
Grip:
Brett Santucci
J. Wesley Tillman
Kevin McNeil
Ignacio Woolfolk
Hairstylist:
Karen Scales
Key Grip:
Scott C. Johnston
Key Makeup Artist:
Candace Wessinger
Lead Set Dresser:
Brian Shelby Huie
Eric Luling
Location Coordinator:
Jean Henley
Location Manager:
Miles J. Henley
Makeup Artist:
Heidi Seeholzer
Negative Cutter:
Ginny Parillo
Original Music Composer:
Pat Regan
Post Production Coordinator:
Susan Kesner
Post Production Supervisor:
Patrick Gregston
Production Coordinator:
Missy Pray
Production Design:
Richard B. Lewis
Production Supervisor:
Jeanne Van Cott
Property Master:
John 'Mac' McWilliams
Props:
Chuck Dutrow
Scenic Artist:
Catherine Burns
Script Supervisor:
Tracy L. Moody
Second Assistant "B" Camera:
Lisa Guerriero
Christian H. Burton
Second Assistant Camera:
Tammy Fouts
Suzanne Berger
Second Assistant Director:
Kristi Tyminski
Set Decoration:
Laurie Scott
Set Medic:
Michael L. Ryan
Sound Editor:
David D. Caldwell
Cameron Frankley
Lenny Jennings
David P. Hart
Greg Stacy
Sound Mixer:
William Fiege
Sound Re-Recording Mixer:
John L. Anderson
Ross Davis
M. Curtis Price
Special Effects:
Giuliano Fiumani
Randy Tarum
Special Effects Coordinator:
Andre G. Ellingson
Still Photographer:
Bruce Zachary Herman
Studio Teacher:
Joseph Bauer
Stunt Coordinator:
Jon Conrad Pochron
Stunts:
Rick Deming
Víctor Quintero
Lana Lee Wilson
Lynn Salvatori
Candace Wessinger
Jerry Spicer
Supervising Sound Editor:
Ed Fassl
Transportation Captain:
David Shaffer
Transportation Coordinator:
Paul Kowalczyk
Unit Production Manager:
Paul Moen
Unit Publicist:
Dick Delson
Leonard Morpurgo
Writer:
Guy Magar
Marc B. Ray
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.