A work in constant progress (and occasional regress).
Release Date:
December 10, 2020
Original Title:
Chico ventana también quisiera tener un submarino
Genres:
Comedy | Drama | Fantasy
Production Companies:
BALDR
Desvia
La Pobladora Cine
Pelícano Cine
Production Countries:
Argentina | Brazil | Netherlands | Philippines | Uruguay
Ratings / Certifications:
BR: 12
Runtime: 85
Aboard a cruise ship out at sea, a young sailor discovers a door mysteriously leading to an apartment in Montevideo. Meanwhile, a group of Asian farmers find an abandoned shed in the valley, attributing it supernatural powers.
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3D Artist:
James Roberts
Assistant Director:
Sheryl Rose M. Andes
Nicolás Purdía
Assistant Editor:
Kevin Kogan
Associate Producer:
Lucía Moreira
Camera Operator:
Manuel Rebella
Casting:
Anthony Cinco
Colorist:
Guido Tomeo
Costume Supervisor:
María Eugenia Vidal
Digital Imaging Technician:
Pablo Bernst
Director:
Alex Piperno
Director of Photography:
Manuel Rebella
Editor:
Alejo Santos
Karen Akerman
Alex Piperno
Executive Producer:
Alex Piperno
Rachel Ellis
Araquen Rodriguez
Executive Producer's Assistant:
Vanessa Barbosa
First Assistant Camera:
Martin Dotta
Gaffer:
Martin Varela
Legal Services:
Daniela Menoni
Line Producer:
Lucía Moreira
Makeup Artist:
Barbie Capacio
Producer:
Katja Draaijer
Araquen Rodriguez
Alex Piperno
Esteban Lucangioli
Rachel Ellis
Armi Rae Cacanindin
Frank Hoeve
Production Design:
Daniela Calcagno
Production Manager:
Palmer Mitchell
Rolly Palmes
Researcher:
Alexia de Magalhaes Silva
Screenplay:
Alex Piperno
Script Supervisor:
Diego Ferrando Mazzotti
Second Assistant Director:
Matías 'Lucho' Viera
Sound Designer:
Lucas Larriera
Sound Mixer:
Lucas Larriera
Sound Re-Recording Mixer:
Coen Bruins
Thanks:
Paula Orlando
Visual Effects:
Maria Peralta Ramos
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.