Armageddon Time (2022) [R]

Release Date:
October 28, 2022

Original Title:
Armageddon Time

Alternate Titles:
Le temps de l'Armageddon
Yamim shel Tom
Час Армагеддону

Genres:
Drama

Production Companies:
Focus Features
Keep Your Head Productions
MadRiver Pictures
RT Features
Spacemaker Productions

Production Countries:
Brazil | United States of America

Ratings / Certifications:
AU: M  BR: 16  DE: 12  ES: 12  FR: TP  GB: 15  IE: 15|15A  IT: T  KR: 12  MX: B  NZ: M  RO: 12  SE: 15  US: R 

Runtime: 114

The end of an era. The beginning of everything.

In 1980, Queens, New York, a young Jewish boy befriends a rebellious African-American classmate to the disapproval of his privileged family and begins to reckon with growing up in a world of inequality and prejudice.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Art Department Assistant:
Jordan Mailes

Assistant Art Director:
Mark Pate

Assistant Costume Designer:
Jon Can Coskunses

Assistant Production Coordinator:
Alanna Harrington

Assistant Production Manager:
Max Samu

Assistant Property Master:
Magnus Collins

Boom Operator:
Graham Gardner

Camera Production Assistant:
Ralph Reyes

Casting:
Douglas Aibel

Casting Associate:
Deborah Maxwell Dion
Matthew Glasner

Charge Scenic Artist:
Faridih Bolognini

Clearances Coordinator:
Cassandra Barbour

Compositing Supervisor:
Jesse Speer

Construction Coordinator:
Danny Rovira

Costume Assistant:
David Roig

Costume Coordinator:
James Ghazarian

Costume Design:
Madeline Weeks

Costumer:
Gina Ruiz

Dailies Operator:
Brian Wilkowski

Dialect Coach:
Howard Samuelsohn

Director:
James Gray

Director of Photography:
Darius Khondji

Editor:
Scott Morris

Executive Producer:
Riccardo Maddalosso
Doug Torres
Alex Hughes
Lourenço Sant'Anna
Rodrigo Gutierrez

Extras Casting:
Angela Citrola

First Assistant Director:
Doug Torres

Foley Artist:
Heikki Kossi

Hair Designer:
Nana Fischer

Hairstylist:
Theresa Haljean

Health and Safety:
William A. Medina

Key Costumer:
Anne Brenneke
Gina Javaheri

Key Makeup Artist:
Jennifer Suarez

Legal Services:
Harry Finkel

Location Assistant:
Chris Cloud

Location Manager:
Paul Eskenazi

Makeup Artist:
Maria Maio

Makeup Department Head:
Nana Fischer

Makeup Designer:
Nana Fischer

Original Music Composer:
Christopher Spelman

Producer:
Alan Terpins
Marc Butan
Rodrigo Teixeira
James Gray
Anthony Katagas

Production Assistant:
Bryan Congote
Ashley T. Dart
Jen Deleon
Brett Heidenreich
Cris Iannucci
Alex Ingram
Mona Kubota-Johnson

Production Consultant:
Christian Simonds

Production Coordinator:
Alex Lombardo
Shannon Smith

Production Design:
Happy Massee

Production Manager:
Richard Mancuso

Production Secretary:
Ali Reilly

Property Master:
Candice Wong

Script Supervisor:
Rebecca Breckel

Second Assistant Director:
Cary Lee

Second Second Assistant Director:
Justin Bischoff

Senior Colorist:
Kevin Krout

Set Costumer:
Diego Carranza
Rena Sherman

Set Decoration Buyer:
Clare Lord

Sound Mixer:
David J. Schwartz

Special Effects Coordinator:
Drew Jiritano

Special Effects Technician:
Robert Yapkowitz

Stand In:
Brooke Carrell

Title Designer:
Teddy Blanks

Utility Sound:
Jason Hemmerlin

Visual Effects Producer:
Richard Friedlander
Thurman Martin III

Visual Effects Supervisor:
Glenn Allen

Wardrobe Supervisor:
Laura Steinman

Wigmaker:
Stacey Butterworth

Writer:
James Gray

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.